Brieven uit Portugal/en

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dedicated to Louis Devos

Opus 47

History

Music

  • instrumentation: voice[1] and piano
  • duration: ca 4'45"[2]

Parts

  • I. Vóór dageraad[3]
    • text incipit: De flessen weg, en alle boeken toe
    • tempo: Moderato
    • time signature: 4/4
    • duration: ca 1'45"
      Legley 47-1.jpg
  • II. Torre de Belem
    • text incipit: Lui en traag de Taag
    • tempo: Moderato
    • time signature: 3/4
    • duration: ca 1'25"
      Legley 47-2.jpg
  • III. Amalia Rodriguez[3]
    • text incipit: Klagen zoals de tortels klagen
    • tempo: Andante
    • time signature: C
    • duration: ca 1'35"
      Legley 47-3.jpg

Sources

  • autograph 1: Royal Conservatory Brussels (B-Bc), shelf number BV-03-4085
  • autograph 2: Royal Conservatory Brussels (B-Bc), shelf number BV-03-4085
  • first edition: CeBeDeM, Brussels, 1956

Notes

  1. ↑ Legley's autograph and the first edition do not specify the voice type. Tessely (p.141) and De Roeck (p.355) both give tenor, but presumably the cycle can be performed by other voice types as well.
  2. ↑ CeBeDeM gives 7', the first edition 8', This, however, is contradicted by the pencil notes in Legley's autograph. De Roeck (p.355) even gives 10'.
  3. ↑ 3.0 3.1 Originally, Vóór dageraad was the third song and Amalia Rodriguez the first.
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