Höflich 2564

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Sources

Primary sources

Name Description Edition/Location
A first edition CeBeDeM, Brussels, 1960
B printed parts Koninklijk Conservatorium Brussel (B-Bc), shelf number CBD-B-0455-0456-(03169)

Critical comments

General remarks

Specific comments

Bar Comment
1 melody instruments (piccolo etc.): the quaver rest on beat 2 has only 1 dot in A, double dotted in B
1-3 violin 1: in both sources, the first two and a halve bars are notated an octave higher without 8va; viola: in both sources, the first two bars and a halve are notated in alto clef
2 viola: first accent only in B
2-3 gong: accents only in B
4 oboe: second slur only in B
5 timpani: rests on beat 1 in A notated as dotted quaver rest
9 brass, except horns: accents on beat 2 added
10-12 timpani: in A, notated an octave above with 8va bassa
12-13 tutti, except percussion: some accents missing in A have been added
13 timpani: ff added; horns: additional ff in A omitted in our edition
17 violin 1: unis. added
20 high woodwinds: some accents missing in A have been added
22 bassoons, brass: some staccato dots missing in A have been added; bass drum: in B with staccato dots
24 trombone 3, tuba, cello, double bass: some staccato dots missing in A have been added
26 English horn: last note in both sources is a c, which is not logical, since English horn and trumpet 1&3 are playing unisons in bars 25-26, likely the c is a transposition error
27 trombone 1: ♮ added to the note of beat 3, missing in A and in B, compare to horns 2+4
27-28 trombone 3, tuba: last 3 staccato dots of bar 27, first one of bar 28 not in A, added according to B
28 bassoons: beat 3 in A and B without staccato dot; horns 3&4: beat 3 in A erroneously with staccato dot
29 trumpets 2&3: in A without accents, added according to B
31 clarinets: a 2 not between brackets in A; bassoons: in A and B, first note of beat 3 still in bass clef
31-32 bass clarinet: in A and B, first note of beat 3 in bar 31 still in bass clef, the following 3 notes and next bar in tenor clef
32 bass clarinet, trombones, tuba: in A, no accent on beat 1, added according to B
34 cello, double bass: last note of the bar ♭ in A, in our edition ♮ as in B and in bar 33
36 flute 1: (I) added for clarity
39 bassoons: p not in A, added according to B; violin 2: in A a superfluous p on beat 4
42 cello: first slur not in A, added according to B
43 flutes, oboes, bassoons: cresc. molto in A and B on beat 2
43-46 in A, the word molto from cresc. molto only on beat 1 in bar 46
44 clarinets: a 2 added; bassoons: ♮ before note 2 between brackets in A; double bassoon: cresc. molto not in A, added according to B, ♮ before note 2 added
45 piccolo: in A, cresc. molto starts at the end of beat 2, in our edition as in B and in violin 1 part; cello, double bass: cresc. not in A, added according to B
47 horns 1&2: f in A on beat 2 instead of beat 1; horns3&4, trumpets, violins, viola: f on beat 1 not in A, added according to B