| Bar
|
Comment
|
| 1
|
melody instruments (piccolo etc.): the quaver rest on beat 2 has only 1 dot in A, double dotted in B
|
| 1-3
|
violin 1: in both sources, the first two and a halve bars are notated an octave higher without 8va; viola: in both sources, the first two bars and a halve are notated in alto clef
|
| 2
|
viola: first accent only in B
|
| 2-3
|
gong: accents only in B
|
| 4
|
oboe: second slur only in B
|
| 5
|
timpani: rests on beat 1 in A notated as dotted quaver rest
|
| 9
|
brass, except horns: accents on beat 2 added
|
| 10-12
|
timpani: in A, notated an octave above with 8va bassa
|
| 12-13
|
tutti, except percussion: some accents missing in A have been added
|
| 13
|
timpani: ff added; horns: additional ff in A omitted in our edition
|
| 17
|
violin 1: unis. added
|
| 20
|
high woodwinds: some accents missing in A have been added
|
| 22
|
bassoons, brass: some staccato dots missing in A have been added; bass drum: in B with staccato dots
|
| 24
|
trombone 3, tuba, cello, double bass: some staccato dots missing in A have been added
|
| 26
|
English horn: last note in both sources is a c, which is not logical, since English horn and trumpet 1&3 are playing unisons in bars 25-26, likely the c is a transposition error
|
| 27
|
trombone 1: ♮ added to the note of beat 3, missing in A and in B, compare to horns 2+4
|
| 27-28
|
trombone 3, tuba: last 3 staccato dots of bar 27, first one of bar 28 not in A, added according to B
|
| 28
|
bassoons: beat 3 in A and B without staccato dot; horns 3&4: beat 3 in A erroneously with staccato dot
|
| 29
|
trumpets 2&3: in A without accents, added according to B
|
| 31
|
clarinets: a 2 not between brackets in A; bassoons: in A and B, first note of beat 3 still in bass clef
|
| 31-32
|
bass clarinet: in A and B, first note of beat 3 in bar 31 still in bass clef, the following 3 notes and next bar in tenor clef
|
| 32
|
bass clarinet, trombones, tuba: in A, no accent on beat 1, added according to B
|
| 34
|
cello, double bass: last note of the bar ♭ in A, in our edition ♮ as in B and in bar 33
|
| 36
|
flute 1: (I) added for clarity
|
| 39
|
bassoons: p not in A, added according to B; violin 2: in A a superfluous p on beat 4
|
| 42
|
cello: first slur not in A, added according to B
|
| 43
|
flutes, oboes, bassoons: cresc. molto in A and B on beat 2
|
| 43-46
|
in A, the word molto from cresc. molto only on beat 1 in bar 46
|
| 44
|
clarinets: a 2 added; bassoons: ♮ before note 2 between brackets in A; double bassoon: cresc. molto not in A, added according to B, ♮ before note 2 added
|
| 45
|
piccolo: in A, cresc. molto starts at the end of beat 2, in our edition as in B and in violin 1 part; cello, double bass: cresc. not in A, added according to B
|
| 47
|
horns 1&2: f in A on beat 2 instead of beat 1; horns3&4, trumpets, violins, viola: f on beat 1 not in A, added according to B
|