Difference between revisions of "Le Bal des Halles/en"

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(Created page with "Opus 43 == History == ===Version 1=== *Legley composed this work in 1954 for "Les Amis Belges de l’Aliah des jeunes".<ref name="een">De Roeck, pp.337-341.<...")
 
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Opus 43
 
Opus 43
  
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===Version 1===
 
===Version 1===
*Legley composed this work in 1954 for "Les Amis Belges de l’Aliah des jeunes".<ref name="een">[[De Roeck/en|De Roeck]], pp.337-341.</ref> It was part of a joint composition ([[Les Bals de Paris/en|Les Bals de Paris]]). In 1959, Legley made a revision of the work.<ref name="een" /><ref>The work was registered by [http://sabam.be SABAM] on 20 May 1959 (see page 99 of autograph 2).</ref>
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*Legley composed this work in 1954 at the request of ''Les Amis Belges de l’Aliah des jeunes''.<ref name="een">[[De Roeck/en|De Roeck]], pp.337-341.</ref> It was part of a joint composition ([[Les Bals de Paris/en|Les Bals de Paris]]). In 1959 Legley made a revision of the work.<ref name="een"/><ref>The work was registered by [http://sabam.be SABAM] on 20 May 1959 (see p.99 of autograph 2).</ref>
*The first performance was played on 17 November 1954 in La Monnaie in Brussels by the La Monnaie symphony orchestra conducted by René Defossez. Jean-Jacques Etchevery was the director of the ballet, Edmond Delescluze designed the scenery and Suzanne Fabry the costumes.<ref>[http://carmen.demunt.be Digital archives of La Monnaie.]</ref>
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*The first performance was played on 17 November 1954 in ''La Monnaie'' in Brussels by the ''La Monnaie'' symphony orchestra conducted by René Defossez. Jean-Jacques Etchevery was the director of the ballet, Edmond Delescluze designed the scenery and Suzanne Fabry the costumes.<ref>See:
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*[http://carmen.demunt.be ''Carmen''], the digital archive of ''La Monnaie''
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*Anonymous: ''Avant-première - A la Monnaie'' in ''Le Soir'' of 14 November 1954, p.5
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*TINEL, Paul: ''Une grande première belge à la Monnaie - Les Bals de Paris'' in ''Le Soir'' of 19 November 1954, p.2.
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The descriptions of the 2 reductions (cf. sources) incorrectly give 17 ''October'' as the date of the first performance.</ref>
  
 
===Version 2===
 
===Version 2===
 
*In 1984, Legley made a transcription for concert band.<ref name="een"/>
 
*In 1984, Legley made a transcription for concert band.<ref name="een"/>
*The first performance of this version took place on 16 July 1985 in Kerkrade and was played by the [https://nl.wikipedia.org/wiki/Groot_Harmonieorkest_van_de_Belgische_Gidsen Groot Harmonieorkest der Gidsen] conducted by Norbert Nozy.<ref name="een" />
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*The first performance of this version took place on 16 July 1985 in Kerkrade and was played by the [https://en.wikipedia.org/wiki/Royal_Band_of_the_Belgian_Guides ''Royal Band of the Belgian Guides''] conducted by Norbert Nozy.<ref name="een"/>
  
 
== Music ==
 
== Music ==
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===Parts===
 
===Parts===
*I. Lever, le petit jour sur les Halles<ref>In autograph 2: ''"...de Paris"''.</ref>
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*I. Lever, le petit jour sur les Halles<ref>In autograph 2: ''...de Paris''.</ref>
 
**tempo: Andante
 
**tempo: Andante
 
**time signature: '''4/4'''
 
**time signature: '''4/4'''
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*autograph 1 of version 1: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28162 '''BV-03-4021''']. Final autograph.
 
*autograph 1 of version 1: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28162 '''BV-03-4021''']. Final autograph.
 
*autograph 2 of version 1: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28163 '''BV-03-4022''']. Autograph with many corrections as a preparation for autograph 1.
 
*autograph 2 of version 1: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28163 '''BV-03-4022''']. Autograph with many corrections as a preparation for autograph 1.
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*reduction 1: '''Royal Library of Belgium'' ''(B-Br)'', shelf number [https://opac.kbr.be/Library/doc/SYRACUSE/16734658/les-bals-de-paris René Defossez IV/18 C Mus.] Reduction for voice, two pianos, clavioline and percussion, arranger: René Defossez.
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*reduction 2: '''Royal Library of Belgium'' ''(B-Br)'', shelf number [https://opac.kbr.be/Library/doc/SYRACUSE/16734658/les-bals-de-paris René Defossez IV/18 C Mus.] Reduction for voice and piano, arranger: René Defossez.
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<!--Partition KBR still to be consulted-->
  
 
==Notes==
 
==Notes==
<references />
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<references/>
  
[[Category:Thematic Catalogue Victor Legley]][[Category:1954/en]][[Category:1959/en]][[Category:1984/en]][[Category:Orchestral music]][[Category:Music for wind orchestra]][[Category:Music for symphony orchestra]][[Category:Ballets]][[Category:Arrangements]]
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[[Category:Oeuvre Catalogue Victor Legley]][[Category:1954/en]][[Category:1959/en]][[Category:1984/en]][[Category:Orchestral music]][[Category:Music for wind orchestra]][[Category:Music for symphony orchestra]][[Category:Ballets]][[Category:Arrangements]]

Revision as of 10:25, 23 September 2021


Opus 43

History

Version 1

  • Legley composed this work in 1954 at the request of Les Amis Belges de l’Aliah des jeunes.[1] It was part of a joint composition (Les Bals de Paris). In 1959 Legley made a revision of the work.[1][2]
  • The first performance was played on 17 November 1954 in La Monnaie in Brussels by the La Monnaie symphony orchestra conducted by René Defossez. Jean-Jacques Etchevery was the director of the ballet, Edmond Delescluze designed the scenery and Suzanne Fabry the costumes.[3]

Version 2

  • In 1984, Legley made a transcription for concert band.[1]
  • The first performance of this version took place on 16 July 1985 in Kerkrade and was played by the Royal Band of the Belgian Guides conducted by Norbert Nozy.[1]

Music

  • instrumentation:
    • version 1: symphony orchestra[4]
    • version 2: concert band
  • duration: ca 15'

Parts

  • I. Lever, le petit jour sur les Halles[5]
    • tempo: Andante
    • time signature: 4/4
  • II. Entrée des maraîchères et des forts
    • tempo: Moderato e un poco pesante
    • time signature: 3/4
  • III. Le patron et le cocher
    • tempo: Un poco più vivo (tempo di polka)
    • time signature: 2/4
  • IV. La vieille mendiante
    • tempo: Moderato
    • time signature: 3/4
  • V. L'apprentie et l'ouvrier
    • tempo: Andante
    • time signature: 2/4
  • VI. Les messagères et les bourgeoises. Dispute avec les maraichères
    • tempo: Allegro ma non troppo
    • time signature: 2/4
  • VII. Le joueur de clarinette
    • tempo: Tempo di Valse
    • time signature: 3/4
  • VIII. Finale
    • tempo: Allegro vivace
    • time signature: 2/4

Sources

  • autograph 1 of version 1: Royal Conservatory Brussels (B-Bc), shelf number BV-03-4021. Final autograph.
  • autograph 2 of version 1: Royal Conservatory Brussels (B-Bc), shelf number BV-03-4022. Autograph with many corrections as a preparation for autograph 1.
  • reduction 1: 'Royal Library of Belgium (B-Br), shelf number René Defossez IV/18 C Mus. Reduction for voice, two pianos, clavioline and percussion, arranger: René Defossez.
  • reduction 2: 'Royal Library of Belgium (B-Br), shelf number René Defossez IV/18 C Mus. Reduction for voice and piano, arranger: René Defossez.

Notes

  1. 1.0 1.1 1.2 1.3 De Roeck, pp.337-341.
  2. The work was registered by SABAM on 20 May 1959 (see p.99 of autograph 2).
  3. See:
    • Carmen, the digital archive of La Monnaie
    • Anonymous: Avant-première - A la Monnaie in Le Soir of 14 November 1954, p.5
    • TINEL, Paul: Une grande première belge à la Monnaie - Les Bals de Paris in Le Soir of 19 November 1954, p.2.
    The descriptions of the 2 reductions (cf. sources) incorrectly give 17 October as the date of the first performance.
  4. Piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, double bassoons, 4 horns, 3 trumpets, 3 trombones, percussion, harp and strings.
  5. In autograph 2: ...de Paris.