Difference between revisions of "Concerto for violin and orchestra 1"
(Created page with "Opus 27 == History == *Completed in March 1947. *On 7 January 1949, it was first performed by Carlo van Neste, the NIR orchestra and conductor Daniël Sternefeld.<ref>De Ro...") |
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== History == | == History == | ||
*Completed in March 1947. | *Completed in March 1947. | ||
| − | *On 7 January 1949, it was first performed by Carlo van Neste, the NIR orchestra and conductor Daniël Sternefeld.<ref>[[De Roeck]], p.293.</ref> | + | *On 7 January 1949, it was first performed by Carlo van Neste, the NIR orchestra and conductor Daniël Sternefeld at Flagey in Brussels.<ref>See: |
| + | *Anonymous: ''Radio'' in ''Gazet van Antwerpen'' of 7 January 1949, p.5 | ||
| + | *Anonymous: ''Radiorubriek'' in ''De Nieuwe Gids'' of 7 January 1949, p.5 | ||
| + | Anonymous: ''Schouwburgen en Concerten'' in ''Het Laatste Nieuws'' of 9 January 1949, p.6 | ||
| + | P.M.: ''Les Concert à l'I.N.R.'' in ''La Dernière Heure'' of 13 January 1949, p.4 | ||
| + | PELEMANS, Willem: ''Vlaamse concerto's voor viool'' in ''Het Laatste Nieuws'' of 13 March 1949, p.3 | ||
| + | [[De Roeck/en|De Roeck]], p.293.</ref> | ||
== Music == | == Music == | ||
| Line 11: | Line 17: | ||
=== Parts === | === Parts === | ||
*I. Molto moderato e molto energico | *I. Molto moderato e molto energico | ||
| − | **time signature: '''4/4'''<ref>In the original version of this movement, the time signature must have changed constantly, as we read in [[Tessely]] (p.159): ''On the advice of Franz André, Legley rewrites the first movement in a regular time signature! | + | **time signature: '''4/4'''<ref>In the original version of this movement, the time signature must have changed constantly, as we read in [[Tessely/en|Tessely]] (p.159): ''Op aanraden van Franz André, herschrijft Legley de eerste beweging in een regelmatige maatsoort!'' [On the advice of Franz André, Legley rewrites the first movement in a regular time signature!]</ref>[[Image:Legley_27-1.jpg|frameless|none|850px]] |
*II. Molto andante | *II. Molto andante | ||
**time signature: '''4/4'''[[Image:Legley_27-2.jpg|frameless|none|850px]] | **time signature: '''4/4'''[[Image:Legley_27-2.jpg|frameless|none|850px]] | ||
| Line 33: | Line 39: | ||
<references/> | <references/> | ||
| − | [[Category: | + | [[Category:Oeuvre Catalogue Victor Legley]][[Category:1947/en]][[Category:Orchestral music]][[Category:Music for symphony orchestra]][[Category:Music for violin and orchestra]][[Category:Music for violin]][[Category:Concertos]] |
Revision as of 13:33, 16 September 2021
Opus 27
History
- Completed in March 1947.
- On 7 January 1949, it was first performed by Carlo van Neste, the NIR orchestra and conductor Daniël Sternefeld at Flagey in Brussels.[1]
Music
- instrumentation: solo violin and symphony orchestra[2]
- duration: ca 20'
Parts
- I. Molto moderato e molto energico
- time signature: 4/4[3]
- time signature: 4/4[3]
- II. Molto andante
- time signature: 4/4
- time signature: 4/4
- III.
- Moderato e pesante
- Allegro ma non troppo
- time signature: 2/4
- Molto più lento e scherzando
- time signature: 2/4
- Tempo primo
- time signature: 2/4
- time signature: 2/4
Sources
- autograph 1: Royal Conservators Brussels (B-Bc), shelf number BV-03-4012
- autograph 2: Royal Conservatory Brussels (B-Bc), shelf number BV-03-4013 onderdeel-1
- autograph piano reduction 1[4]: Royal Conservatory Brussels (B-Bc), shelf number BV-03-4011
- autograph piano reduction 2[5]: Royal Conservatory Brussels (B-Bc), shelf number BV-03-4013 onderdeel-2
- first edition piano reduction (separate violin part included): CeBeDeM, Brussels, 1965
Notes
- ↑ See:
- Anonymous: Radio in Gazet van Antwerpen of 7 January 1949, p.5
- Anonymous: Radiorubriek in De Nieuwe Gids of 7 January 1949, p.5
- ↑ 2 flutes, 2 oboes, 2 clarinet, bass clarinet, 2 bassoons, double bassoon, 4 horns, 2 trumpets, 2 trombones, tuba, timpani and strings.
- ↑ In the original version of this movement, the time signature must have changed constantly, as we read in Tessely (p.159): Op aanraden van Franz André, herschrijft Legley de eerste beweging in een regelmatige maatsoort! [On the advice of Franz André, Legley rewrites the first movement in a regular time signature!]
- ↑ This reduction was intended for performances.
- ↑ This reduction was not intended for performances, but was made in order to give the soloist an idea of what the orchestra plays. Legley writes Ceci n'est pas une transcription pour piano, mais une reduction [sic] de la partition de l'orchestre!
