Difference between revisions of "5 Mélodies françaises/en"

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(Created page with "''dedicated to Yetty Martens'' Opus 15 == History == *Song cycle on texts by [https://en.wikipedia.org/wiki/Henri_de_R%C3%A9gnier Henri de Régnier], [https://en.wikipedia.o...")
 
 
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*The cycle was composed in the years 1943-44 in Brussels (see below for details).
 
*The cycle was composed in the years 1943-44 in Brussels (see below for details).
 
*In April 1945, Legley added the song [[La Lettre/en|La Lettre]] to the cycle and he changed the title to ''6 Mélodies françaises'', in the first edition of 1962 however, the song is left out.
 
*In April 1945, Legley added the song [[La Lettre/en|La Lettre]] to the cycle and he changed the title to ''6 Mélodies françaises'', in the first edition of 1962 however, the song is left out.
*On 29 May 1945, the work was first performed by alto Yetty Martens and pianist Frieda Pey in auditory Akarova in Brussel (without the song ''[[La Lettre/en|La Lettre]]'').<ref>C.M.: ''Jonge Vlaamsche Muziek'' in ''De Nieuwe Standaard'' on 8 June 1945.</ref> On this day, Legley dedicated the work to Yetty Martens.<ref>See autograph.</ref>
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*On 29 May 1945, the work was first performed by alto Yetty Martens and pianist Frieda Pey in auditory ''Akarova'' in Brussel (without the song ''[[La Lettre/en|La Lettre]]'').<ref>C.M.: ''Muziekkroniek - Jonge Vlaamsche Muziek'' in ''De Nieuwe Standaard'' of 8 June 1945, p.2. P.T.: ''Petite Chronique Musicale'' in ''Le Soir'' of 14 June 1945, p.2.</ref> On this day, Legley dedicated the work to Yetty Martens.<ref>See autograph.</ref>
  
 
== Music ==
 
== Music ==
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*I. Odelette
 
*I. Odelette
 
**text incipit: '''Si j'ai parlé de mon amour''' (Henri de Régnier)
 
**text incipit: '''Si j'ai parlé de mon amour''' (Henri de Régnier)
**finished on 9 December 1943<ref>[[Tessely]] (p.137) and [[De Roeck]] (p.271) give 2 February 1944, which is contradicted by the autograph.</ref>
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**finished on 9 December 1943<ref>[[Tessely/en|Tessely]] (p.137) and [[De Roeck/en|De Roeck]] (p.271) give 2 February 1944, which is however contradicted by the autograph.</ref>
 
**tempo: Moderato
 
**tempo: Moderato
 
**time signature: '''2/4'''
 
**time signature: '''2/4'''
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==Sources==
 
==Sources==
*autograph: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=120020 '''P-2-00902''']. The alto line of this is annotated in grey and red pencil and was probably used for the first performance. This manuscript contains [[La Lettre/en|La Lettre]] as well.
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*autograph: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=66947 '''P-2-00902''']. The alto line of this score is annotated in grey and red pencil and was probably used for the first performance. This manuscript contains [[La Lettre/en|La Lettre]] as well.
 
*first edition: '''CeBeDeM''', Brussels, '''1962'''
 
*first edition: '''CeBeDeM''', Brussels, '''1962'''
  
 
==Notes==
 
==Notes==
<references />
+
<references/>
  
[[Category:Thematic Catalogue Victor Legley|Mélodies françaises]][[Category:1943/en|Mélodies françaises]][[Category:1944/en|Mélodies françaises]][[Category:Vocal music|Mélodies françaises]][[Category:Music for voice and piano|Mélodies françaises]][[Category:Music for piano|Mélodies françaises]][[Category:Songs|Mélodies françaises]]
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[[Category:Oeuvre Catalogue Victor Legley|Mélodies françaises]][[Category:1943/en|Mélodies françaises]][[Category:1944/en|Mélodies françaises]][[Category:Vocal music|Mélodies françaises]][[Category:Music for voice and piano|Mélodies françaises]][[Category:Music for piano|Mélodies françaises]][[Category:Songs|Mélodies françaises]]

Latest revision as of 20:43, 8 September 2021

dedicated to Yetty Martens

Opus 15

History

  • Song cycle on texts by Henri de Régnier, Ryuko Kawaji, Charles Van Lerberghe, René Bizet and André Germain.
  • The cycle was composed in the years 1943-44 in Brussels (see below for details).
  • In April 1945, Legley added the song La Lettre to the cycle and he changed the title to 6 Mélodies françaises, in the first edition of 1962 however, the song is left out.
  • On 29 May 1945, the work was first performed by alto Yetty Martens and pianist Frieda Pey in auditory Akarova in Brussel (without the song La Lettre).[1] On this day, Legley dedicated the work to Yetty Martens.[2]

Music

  • instrumentation: alto and piano
  • duration: ca 10'

Parts

  • I. Odelette
    • text incipit: Si j'ai parlé de mon amour (Henri de Régnier)
    • finished on 9 December 1943[3]
    • tempo: Moderato
    • time signature: 2/4
    • duration: ca 1'30"
  • II. La mort
    • text incipit: Si la mort vient ici (Ryuko Kawaji)
    • finished on 2 February 1944
    • tempo: Moderato
    • time signature: 4/4
    • duration: ca 2'
  • III. Barques d'or
    • text incipit: Dans une barque d'Orient (Charles Van Lerberghe)
    • finished on 20 April 1944
    • tempo: Andantino (autograph) or Andante (first edition)
    • time signature: 3/4
    • duration: ca 2'30"
  • IV. Faubourg gitane
    • text incipit: L'indolence des gitanes (René Bizet)
    • finished on 14 May 1944
    • tempo: Andante moderato
    • time signature: 5/8
    • duration: ca 2'30"
  • V. Le voyageur
    • text incipit: Où t'en vas-tu dans le soir (André Germain)
    • finished on 15 May 1944
    • tempo: Lent et triste
    • duration: ca 1'30"

Sources

  • autograph: Royal Conservatory Brussels (B-Bc), shelf number P-2-00902. The alto line of this score is annotated in grey and red pencil and was probably used for the first performance. This manuscript contains La Lettre as well.
  • first edition: CeBeDeM, Brussels, 1962

Notes

  1. C.M.: Muziekkroniek - Jonge Vlaamsche Muziek in De Nieuwe Standaard of 8 June 1945, p.2. P.T.: Petite Chronique Musicale in Le Soir of 14 June 1945, p.2.
  2. See autograph.
  3. Tessely (p.137) and De Roeck (p.271) give 2 February 1944, which is however contradicted by the autograph.