Difference between revisions of "Höflich 2564"
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==Sources== | ==Sources== | ||
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| '''Koninklijk Conservatorium Brussel''' ''(B-Bc)'', shelf number [https://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=105486 '''CBD-B-0455-0456-(03169)'''] | | '''Koninklijk Conservatorium Brussel''' ''(B-Bc)'', shelf number [https://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=105486 '''CBD-B-0455-0456-(03169)'''] | ||
|} | |} | ||
| + | The autograph could not be found. Both '''A''' and '''B''' seem to have been copied from the autograph, since '''B''' contains many details lacking in '''A'''. | ||
==Critical comments== | ==Critical comments== | ||
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*percussion: in '''A''' written on 2 staves: one for the timpani and one for the other instruments; in our edition, every instrument is given its own stave | *percussion: in '''A''' written on 2 staves: one for the timpani and one for the other instruments; in our edition, every instrument is given its own stave | ||
*overal -afbeelding met bogen- | *overal -afbeelding met bogen- | ||
| + | *hoorns 3&4 in '''A''' aangeduid als I IV | ||
--> | --> | ||
===Specific comments=== | ===Specific comments=== | ||
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| 47 | | 47 | ||
| − | | horns 1&2: ''f'' in '''A''' on beat 2 instead of beat 1; horns3&4, trumpets, violins, viola: ''f'' on beat 1 not in '''A''', added according to '''B''' | + | | horns 1&2: ''f'' in '''A''' on beat 2 instead of beat 1; horns3&4, trumpets, violins, viola: ''f'' on beat 1 not in '''A''', added according to '''B'''; trombones 1&2, cello: tenor clef in '''A''' 1 note later; trombone 3, tuba: last 2 semiquavers with accent in '''A''', in '''B''' without; viola: last semiquaver with accent in '''A''', in '''B''' all semiquavers accentuated; cello: last semiquaver with accent in '''A''', in '''B''' the third and fourth semiquavers are accentuated; double bass: in '''A''' the third and fourth semiquavers not accentuated, in '''B''' with accent |
| + | |- | ||
| + | | 47-48 | ||
| + | | placing of ''con fuoco e sempre più cresc.'' in our edition differs from '''A''' and '''B''': | ||
| + | *piccolo: lacking in '''A''', in '''B''' a bar later than in our edition | ||
| + | *flutes, double bassoon: lacking in '''A''', in '''B''' as in our edition | ||
| + | *horns: in '''A''' ''tutti: con fuoco e sempre più cresc.'' written in empty trumpet bars, in '''B''' as in our edition | ||
| + | *trombones 1&2: lacking in '''A''', in '''B''' only ''con fuoco'' | ||
| + | *trombone 3, tuba: in '''A''' and in '''B''' only ''con fuoco'' | ||
| + | *strings: in '''A''' ''tutti: con fuoco e sempre più cresc.'' written between snare drum and violin 1 staves, in '''B''' as in our edition in violin and viola parts, missing in cello and double bass parts | ||
| + | |- | ||
| + | | 48 | ||
| + | | horns 3&4, cello: first note in '''A''' without accent, with accent in '''B'''; trombones, tuba: first note without accent in '''A''' and '''B''' | ||
| + | |- | ||
| + | | 48-49 | ||
| + | | horns: last 2 notes in bar 48 and all notes in bar 49 without accents in '''A''', added according to '''B''' | ||
| + | |- | ||
| + | | 49 | ||
| + | | snare drum: first note in '''A''' erroneously with 2 accents; viola, cello, double bass: no accents in '''A''', added according to '''B''' | ||
| + | |- | ||
| + | | 50 | ||
| + | | timpani: first 3 notes beamed in '''A''' and '''B''', in our edition as in bassoons, double bassoon, viola, cello and double bass | ||
| + | |- | ||
| + | | 56 | ||
| + | | horn 4: ♮ added | ||
| + | |- | ||
| + | | 58 | ||
| + | | viola: in '''A''' without ''arco'', added according to '''B''' | ||
| + | |- | ||
| + | | 59 | ||
| + | | trombones: ''dim.'' in '''A''' a little later than the first beat | ||
| + | |- | ||
| + | | 60-61 | ||
| + | | horns 2&4: in '''A''' without tie, added according to '''B''' | ||
| + | |- | ||
| + | | 62-63 | ||
| + | | piccolo: in '''A''' without diminuendo, added according to '''B'''; flutes: in '''A''' diminuendo twice, one in bar 62 and one in bar 63; oboe 2: diminuendo in '''A''' only in bar 62; clarinets: in '''A''' diminuendo only in bar 62, added according to '''B''' | ||
| + | |- | ||
| + | | 66-67 | ||
| + | | horns 1&2: apart from the word ''dim.'' in bar 66, no diminuendo in bar 66 in '''A''', and not under the first and last note of bar 67, diminuendo in our edition as in '''B'''; horns 3&4: apart from the word ''dim.'' in bar 66, no diminuendo in '''A''', diminuendo in our edition as in '''B''' | ||
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Revision as of 18:57, 27 January 2021
Sources
| Name | Description | Edition/Location |
|---|---|---|
| A | first edition | CeBeDeM, Brussels, 1960 |
| B | printed parts | Koninklijk Conservatorium Brussel (B-Bc), shelf number CBD-B-0455-0456-(03169) |
The autograph could not be found. Both A and B seem to have been copied from the autograph, since B contains many details lacking in A.
Critical comments
General remarks
Specific comments
| Bar | Comment |
|---|---|
| 1 | melody instruments (piccolo etc.): the quaver rest on beat 2 has only 1 dot in A, double dotted in B |
| 1-3 | violin 1: in both sources, the first two and a halve bars are notated an octave higher without 8va; viola: in both sources, the first two bars and a halve are notated in alto clef |
| 2 | viola: first accent only in B |
| 2-3 | gong: accents only in B |
| 4 | oboe: second slur only in B |
| 5 | timpani: rests on beat 1 in A notated as dotted quaver rest |
| 9 | brass, except horns: accents on beat 2 added |
| 10-12 | timpani: in A, notated an octave above with 8va bassa |
| 12-13 | tutti, except percussion: some accents missing in A have been added |
| 13 | timpani: ff added; horns: additional ff in A omitted in our edition |
| 17 | violin 1: unis. added |
| 20 | high woodwinds: some accents missing in A have been added |
| 22 | bassoons, brass: some staccato dots missing in A have been added; bass drum: in B with staccato dots |
| 24 | trombone 3, tuba, cello, double bass: some staccato dots missing in A have been added |
| 26 | English horn: last note in both sources is a c, which is not logical, since English horn and trumpet 1&3 are playing unisons in bars 25-26, likely the c is a transposition error |
| 27 | trombone 1: ♮ added to the note of beat 3, missing in A and in B, compare to horns 2+4 |
| 27-28 | trombone 3, tuba: last 3 staccato dots of bar 27, first one of bar 28 not in A, added according to B |
| 28 | bassoons: beat 3 in A and B without staccato dot; horns 3&4: beat 3 in A erroneously with staccato dot |
| 29 | trumpets 2&3: in A without accents, added according to B |
| 31 | clarinets: a 2 not between brackets in A; bassoons: in A and B, first note of beat 3 still in bass clef |
| 31-32 | bass clarinet: in A and B, first note of beat 3 in bar 31 still in bass clef, the following 3 notes and next bar in tenor clef |
| 32 | bass clarinet, trombones, tuba: in A, no accent on beat 1, added according to B |
| 34 | cello, double bass: last note of the bar ♭ in A, in our edition ♮ as in B and in bar 33 |
| 36 | flute 1: (I) added for clarity |
| 39 | bassoons: p not in A, added according to B; violin 2: in A a superfluous p on beat 4 |
| 42 | cello: first slur not in A, added according to B |
| 43 | flutes, oboes, bassoons: cresc. molto in A and B on beat 2 |
| 43-46 | in A, the word molto from cresc. molto only on beat 1 in bar 46 |
| 44 | clarinets: a 2 added; bassoons: ♮ before note 2 between brackets in A; double bassoon: cresc. molto not in A, added according to B, ♮ before note 2 added |
| 45 | piccolo: in A, cresc. molto starts at the end of beat 2, in our edition as in B and in violin 1 part; cello, double bass: cresc. not in A, added according to B |
| 47 | horns 1&2: f in A on beat 2 instead of beat 1; horns3&4, trumpets, violins, viola: f on beat 1 not in A, added according to B; trombones 1&2, cello: tenor clef in A 1 note later; trombone 3, tuba: last 2 semiquavers with accent in A, in B without; viola: last semiquaver with accent in A, in B all semiquavers accentuated; cello: last semiquaver with accent in A, in B the third and fourth semiquavers are accentuated; double bass: in A the third and fourth semiquavers not accentuated, in B with accent |
| 47-48 | placing of con fuoco e sempre più cresc. in our edition differs from A and B:
|
| 48 | horns 3&4, cello: first note in A without accent, with accent in B; trombones, tuba: first note without accent in A and B |
| 48-49 | horns: last 2 notes in bar 48 and all notes in bar 49 without accents in A, added according to B |
| 49 | snare drum: first note in A erroneously with 2 accents; viola, cello, double bass: no accents in A, added according to B |
| 50 | timpani: first 3 notes beamed in A and B, in our edition as in bassoons, double bassoon, viola, cello and double bass |
| 56 | horn 4: ♮ added |
| 58 | viola: in A without arco, added according to B |
| 59 | trombones: dim. in A a little later than the first beat |
| 60-61 | horns 2&4: in A without tie, added according to B |
| 62-63 | piccolo: in A without diminuendo, added according to B; flutes: in A diminuendo twice, one in bar 62 and one in bar 63; oboe 2: diminuendo in A only in bar 62; clarinets: in A diminuendo only in bar 62, added according to B |
| 66-67 | horns 1&2: apart from the word dim. in bar 66, no diminuendo in bar 66 in A, and not under the first and last note of bar 67, diminuendo in our edition as in B; horns 3&4: apart from the word dim. in bar 66, no diminuendo in A, diminuendo in our edition as in B |
