Difference between revisions of "Cantique spirituel/en"
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== History == | == History == | ||
| − | *Legley completed this song cycle on texts by René Ménard on 28<ref>[[De Roeck]] (p.314) mistakenly gives ''29''.</ref> January 1950 in Woluwe. | + | *Legley completed this song cycle on texts by René Ménard on 28<ref>[[De Roeck/en|De Roeck]] (p.314) mistakenly gives ''29''.</ref> January 1950 in Woluwe. |
| − | *The earliest documented performance took place on 16 March 1952 in the Gran Casino del Foment in Terrassa. The performers were the Quatuor féminin de Paris<ref>Reine Aubier, Gabrielle Dumaine, Raymonde Senecal and Marcelle Lislian.</ref> and the pianist Teresa Balcells.<ref>[[De Roeck]], p.315.</ref> | + | *The earliest documented performance took place on 16 March 1952 in the Gran Casino del Foment in Terrassa. The performers were the Quatuor féminin de Paris<ref>Reine Aubier, Gabrielle Dumaine, Raymonde Senecal and Marcelle Lislian.</ref> and the pianist Teresa Balcells.<ref>[[De Roeck/en|De Roeck]], p.315.</ref> |
== Music == | == Music == | ||
Revision as of 15:44, 1 December 2016
dedicated to the Quatuor féminin de Paris
Opus 36
History
- Legley completed this song cycle on texts by René Ménard on 28[1] January 1950 in Woluwe.
- The earliest documented performance took place on 16 March 1952 in the Gran Casino del Foment in Terrassa. The performers were the Quatuor féminin de Paris[2] and the pianist Teresa Balcells.[3]
Music
- instrumentation: 4 women's voices (SSAA) and piano
- duration: ca 7'
Parts
- I. Andante
- text incipit: Et voici un homme avec son pas égal
- time signature: 5/4
- II. Moderato
- text incipit: Toute distance a la mesure d'une arète de cristal
- time signature: 2/4
- III. Moderato
- text incipit: L'eau, le sable et la soie de l'aube
- time signature: 4/4
Sources
- autograph: Royal Conservatory Brussels (B-Bc), shelf number BV-03-4085
- first edition: CeBeDeM, Brussels, 1959
