Difference between revisions of "Struggle for life"
(Created page with "''La course aux cachets'' ''Variations pas très sérieuses sur un thème pas très original'' Opus 22 == History == *This work was completed on 10 September 1946 in Brusse...") |
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| − | '' | + | ''la course aux cachets'' |
| − | '' | + | ''variations pas très sérieuses sur un thème pas très original'' |
Opus 22 | Opus 22 | ||
== History == | == History == | ||
| − | *This work was completed on 10 September 1946 in Brussels. | + | *This work was completed on 10 September 1946 in Brussels. It received its first performance in the course of the year 1947.<ref>NIR: ''Programmabrochure 1946-1947'', Brussels, 1946, p.38. In this brochure, the works is called a ''comi-dramatical sketch''.</ref> |
== Music == | == Music == | ||
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=== Parts === | === Parts === | ||
| − | * Theme | + | *Theme |
**tempo: Adagio | **tempo: Adagio | ||
**time signature: '''3/4''' | **time signature: '''3/4''' | ||
| Line 24: | Line 24: | ||
**tempo: Allegro molto marcato | **tempo: Allegro molto marcato | ||
**time signature: '''7/8''' | **time signature: '''7/8''' | ||
| − | *Variation 3<ref>Remark by Legley in the autograph: ''N.B. toute la variation suivante doit être jouée avec la sentimentalité exagerée qui rend la musique d'opéra en général si ridicule.''[N.B. the whole next variation has to be played with the exaggerated sentimentality that in general makes opera music so ridiculous.</ref> | + | *Variation 3<ref>Remark by Legley in the autograph: ''N.B. toute la variation suivante doit être jouée avec la sentimentalité exagerée qui rend la musique d'opéra en général si ridicule.'' [N.B. the whole next variation has to be played with the exaggerated sentimentality that in general makes opera music so ridiculous.]</ref> |
| − | **text incipit: ''O heerlijk beeld van eng'lenschoonheid'' (tenor solo) | + | **text incipit: '''O heerlijk beeld van eng'lenschoonheid''' [O glorious image of angelic beauty] (tenor solo) |
**tempo: Andante | **tempo: Andante | ||
**time signature: '''3/4''' | **time signature: '''3/4''' | ||
| Line 32: | Line 32: | ||
**time signature: '''2/2''' | **time signature: '''2/2''' | ||
*Variation 5 (optional) | *Variation 5 (optional) | ||
| − | **text incipit: ''Ave Maria'' (choir) | + | **text incipit: '''Ave Maria''' (choir) |
**tempo: Andante | **tempo: Andante | ||
**time signature: '''4/4''' | **time signature: '''4/4''' | ||
| Line 45: | Line 45: | ||
<references/> | <references/> | ||
| − | [[Category: | + | [[Category:Oeuvre Catalogue Victor Legley]][[Category:1946/en]][[Category:Orchestral music]][[Category:Music for symphony orchestra]][[Category:Vocal music]][[Category:Music for soloists, choir and orchestra]][[Category:Music for choir]][[Category:Music for mixed choir]][[Category:Variations]] |
Latest revision as of 20:09, 11 September 2021
la course aux cachets
variations pas très sérieuses sur un thème pas très original
Opus 22
History
- This work was completed on 10 September 1946 in Brussels. It received its first performance in the course of the year 1947.[1]
Music
- instrumentation:
- tenor solo
- mixed choir (optional)
- symphony orchestra[2]
Parts
- Theme
- tempo: Adagio
- time signature: 3/4
- Variation 1
- tempo: Tempo di rumba
- time signature: 2/2
- Variation 2
- tempo: Allegro molto marcato
- time signature: 7/8
- Variation 3[3]
- text incipit: O heerlijk beeld van eng'lenschoonheid [O glorious image of angelic beauty] (tenor solo)
- tempo: Andante
- time signature: 3/4
- Variation 4
- tempo: Fox tempo
- time signature: 2/2
- Variation 5 (optional)
- text incipit: Ave Maria (choir)
- tempo: Andante
- time signature: 4/4
- Variation 6
- tempo: Allegro energico
- time signature: 3/4
Sources
- autograph: Royal Conservators Brussels (B-Bc), shelf number BV-03-4009
Notes
- ↑ NIR: Programmabrochure 1946-1947, Brussels, 1946, p.38. In this brochure, the works is called a comi-dramatical sketch.
- ↑ 2 flutes, 2 oboes, 2 clarinets, alto saxophone, tenor saxophone, 2 bassoon, 2 horns, 2 trumpets, 2 trombones, percussion, harp, piano, guitar and strings.
- ↑ Remark by Legley in the autograph: N.B. toute la variation suivante doit être jouée avec la sentimentalité exagerée qui rend la musique d'opéra en général si ridicule. [N.B. the whole next variation has to be played with the exaggerated sentimentality that in general makes opera music so ridiculous.]
