Difference between revisions of "Suite in D"
(Created page with "Opus 108 == History == *Legley completed this suite on 3 January 1986, he work on it in Brussels, Ostend and Woluwe.<ref>Legley wrote down on page 15 of the autograph: "Who k...") |
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== History == | == History == | ||
| − | *Legley completed this suite on 3 January 1986, he | + | *Legley completed this suite on 3 January 1986, he worked on it in Brussels, Ostend and Woluwe.<ref>Legley wrote down on page 15 of the autograph: ''Who knows... Brussel-Oostende-Woluwe''.</ref> |
| − | *Originally | + | *Originally the work was dedicated to [http://www.raymondschroyens.com Raymond Schroyens], whose name was, however, crossed out on the title page of the autograph for unknown reasons. |
== Music == | == Music == | ||
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==Notes== | ==Notes== | ||
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| − | [[Category: | + | [[Category:Oeuvre Catalogue Victor Legley]][[Category:1986/en]][[Category:Solo works]][[Category:Music for solo harpsichord]][[Category:Music for harpsichord]][[Category:Arrangements]][[Category:Suites/en]] |
Latest revision as of 10:55, 17 September 2021
Opus 108
History
- Legley completed this suite on 3 January 1986, he worked on it in Brussels, Ostend and Woluwe.[1]
- Originally the work was dedicated to Raymond Schroyens, whose name was, however, crossed out on the title page of the autograph for unknown reasons.
Music
- instrumentation: harpsichord
- duration: ca 12'
Parts
- I. Prelude
- tempo: Poco andante
- time signature: 3/4
- II. Valse
- time signature: 3/4
- III. Maybe?
- tempo: Andantino
- time signature: 3/4
- IV. Dance[2]
- tempo: Allegretto giocoso
- time signature: 2/4
- V. Aus meinen alten Zeiten[3]
- tempo: Andante
- time signature: 2/4
- VI. Rondo?
- time signature: ₵
Sources
- autograph: Royal Conservatory Brussels (B-Bc), shelf number BV-03-4067
- first edition: CeBeDeM, Brussels, 1992
Notes
- ↑ Legley wrote down on page 15 of the autograph: Who knows... Brussel-Oostende-Woluwe.
- ↑ This dance is almost identical to the second piece from the 2 pieces for accordion.
- ↑ The title seems to suggest that Legley reused a lost youth work in this movement.