Difference between revisions of "Höflich 2564"
| Line 14: | Line 14: | ||
| '''Koninklijk Conservatorium Brussel''' ''(B-Bc)'', shelf number [https://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=105486 '''CBD-B-0455-0456-(03169)'''] | | '''Koninklijk Conservatorium Brussel''' ''(B-Bc)'', shelf number [https://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=105486 '''CBD-B-0455-0456-(03169)'''] | ||
|} | |} | ||
| − | The autograph could not be found. Both '''A''' and '''B''' seem to have been copied from the autograph independently, since '''B''' contains many details lacking in '''A'''. | + | The autograph could not be found. Both '''A''' and '''B''' seem to have been copied from the autograph independently, since '''B''' contains many details lacking in '''A'''. '''A''' has been used as main source. |
==Critical comments== | ==Critical comments== | ||
| Line 279: | Line 279: | ||
| 159 | | 159 | ||
| violins, viola: the quaver rest has only 1 dot in '''A''', double dotted in '''B''', see also bar 179 | | violins, viola: the quaver rest has only 1 dot in '''A''', double dotted in '''B''', see also bar 179 | ||
| + | |- | ||
| + | | 170 | ||
| + | | horns: in '''A''', crescendo starts only at second half of beat 2, probably due to lacking space, in '''B''' erroneously without crescendo | ||
| + | |- | ||
| + | | 171 | ||
| + | | violins, viola: ''mp'' not in '''A''', added according to '''B''' | ||
|- | |- | ||
| 173 | | 173 | ||
| clarinet 1, horn 1: ''dolce'' added according to '''B''' | | clarinet 1, horn 1: ''dolce'' added according to '''B''' | ||
| + | |- | ||
| + | | 176 | ||
| + | | cello: ''unis.'' added according to '''B'''; viola: staccato dot added according to '''B''' | ||
| + | |- | ||
| + | | 183 | ||
| + | | cello, double bass: ''arco'' added according to '''B''' | ||
| + | |- | ||
| + | | 183-184 | ||
| + | | strings: without tenuto marks in '''A''' and '''B''', unlike woodwinds | ||
| + | |- | ||
| + | | 184 | ||
| + | | horn 4: thus in all sources, the note is probably shortened in order to allow the player to prepare the next bar | ||
| + | |- | ||
| + | | 192 | ||
| + | | bassoons, double bassoon: in '''A''', the first note is a semiquaver, in '''B''' a demisemiquaver; double bassoon: slur added according to '''B'''; cello, double bass: ''mp'' added according to '''B''' | ||
| + | |- | ||
| + | | 193 | ||
| + | | bass clarinet: staccato dot added according to '''B''' | ||
| + | |- | ||
| + | | 194 | ||
| + | | trumpet 1: in '''A''', notated on a separate stave without ''f'', in '''B''' with ''f''; violin 1: second note is a semiquaver in '''A''', in '''B''' a semiquaver; viola: last 3 demisemiquavers in '''A''' are f♯ f♮ b | ||
| + | |- | ||
| + | | 199 | ||
| + | | trumpets 1&2: ''a 2'' added, justified by '''B''' | ||
|} | |} | ||
--> | --> | ||
Revision as of 14:49, 28 January 2021
Sources
| Name | Description | Edition/Location |
|---|---|---|
| A | first edition | CeBeDeM, Brussels, 1960 |
| B | printed parts | Koninklijk Conservatorium Brussel (B-Bc), shelf number CBD-B-0455-0456-(03169) |
The autograph could not be found. Both A and B seem to have been copied from the autograph independently, since B contains many details lacking in A. A has been used as main source.
