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	<id>http://wiki.muziekcollecties.be/index.php?action=history&amp;feed=atom&amp;title=Symphony_1</id>
	<title>Symphony 1 - Revision history</title>
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	<updated>2026-08-10T11:51:58Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://wiki.muziekcollecties.be/index.php?title=Symphony_1&amp;diff=3985&amp;oldid=prev</id>
		<title>Koenraad at 07:23, 31 July 2021</title>
		<link rel="alternate" type="text/html" href="http://wiki.muziekcollecties.be/index.php?title=Symphony_1&amp;diff=3985&amp;oldid=prev"/>
		<updated>2021-07-31T07:23:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:23, 31 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Legley began work on this symphony in 1941 and completed it in Brussels on 26 June 1942.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Legley began work on this symphony in 1941 and completed it in Brussels on 26 June 1942.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In 1943 the symphony was awarded the ''Agniez'' prize by the Royal Academy in Brussels.&amp;lt;ref&amp;gt;[[Tessely/en|Tessely]], p.16. In the biography of the former ''CeBeDeM'' we read ''1942''.&amp;lt;/ref&amp;gt; The motto of the work was ''Après la pluie vient le beau temps'' [After rain comes sunshine].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In 1943 the symphony was awarded the ''Agniez'' prize by the Royal Academy in Brussels.&amp;lt;ref&amp;gt;[[Tessely/en|Tessely]], p.16. In the biography of the former ''CeBeDeM'' we read ''1942''.&amp;lt;/ref&amp;gt; The motto of the work was ''Après la pluie vient le beau temps'' [After rain comes sunshine].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*First performance on 29 December 1943 by the NIR symphony orchestra conducted by André Souris in Studio 4 of Flagey in Brussels. This concert was broadcasted live on ''Radio-Bruxelles''.&amp;lt;ref&amp;gt;''CeBeDeM - lijst werken: &amp;amp;OElig;uvres de Victor Legley'' (p.1) only mentions that the work was performed for the first time in 1943 under the direction of André Souris in Flagey, Brussels. Prof. Eric Derom, who is doing research into musical life during WW II at the [https://www.cegesoma.be Study and Documentation Centre War and Contemporary Society], informed us about the concert of 29 December 1943, at which the symphony was most likely created. He also points out that at this concert, intriguingly, the first cello concerto by Bohuslav Martinů, a composer banned by the Nazis, was also played. We thank Prof. Derom warmly for the information. The broadcast with the symphony was also announced in the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;section &lt;/del&gt;''A Radio-Bruxelles'' in ''L'Avenir'' of December 28, 1943, p.2.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*First performance on 29 December 1943 by the NIR symphony orchestra conducted by André Souris in Studio 4 of Flagey in Brussels. This concert was broadcasted live on ''Radio-Bruxelles''.&amp;lt;ref&amp;gt;''CeBeDeM - lijst werken: &amp;amp;OElig;uvres de Victor Legley'' (p.1) only mentions that the work was performed for the first time in 1943 under the direction of André Souris in Flagey, Brussels. Prof. Eric Derom, who is doing research into musical life during WW II at the [https://www.cegesoma.be Study and Documentation Centre War and Contemporary Society], informed us about the concert of 29 December 1943, at which the symphony was most likely created. He also points out that at this concert, intriguingly, the first cello concerto by Bohuslav Martinů, a composer banned by the Nazis, was also played. We thank Prof. Derom warmly for the information. The broadcast with the symphony was also announced in the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;article &lt;/ins&gt;''A Radio-Bruxelles'' in ''L'Avenir'' of December 28, 1943, p.2.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.muziekcollecties.be/index.php?title=Symphony_1&amp;diff=3983&amp;oldid=prev</id>
		<title>Koenraad at 07:17, 31 July 2021</title>
		<link rel="alternate" type="text/html" href="http://wiki.muziekcollecties.be/index.php?title=Symphony_1&amp;diff=3983&amp;oldid=prev"/>
		<updated>2021-07-31T07:17:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:17, 31 July 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== History ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== History ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Legley &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;started composing &lt;/del&gt;this symphony 1941 and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;finished &lt;/del&gt;it on 26 June 1942 &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in Brussels&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Legley &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;began work on &lt;/ins&gt;this symphony &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in &lt;/ins&gt;1941 and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;completed &lt;/ins&gt;it &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in Brussels &lt;/ins&gt;on 26 June 1942.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In 1943&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref&amp;gt;Or 1942? See CeBeDeM biography.&amp;lt;/ref&amp;gt; &lt;/del&gt;the symphony was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;rewarded &lt;/del&gt;the ''Agniez'' prize by the Royal Academy in Brussels.&amp;lt;ref&amp;gt;[[Tessely]], p.16.&amp;lt;/ref&amp;gt; The work&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'s device &lt;/del&gt;was ''Après la pluie vient le beau temps'' [After rain comes sunshine].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In 1943 the symphony was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;awarded &lt;/ins&gt;the ''Agniez'' prize by the Royal Academy in Brussels.&amp;lt;ref&amp;gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Tessely/en|&lt;/ins&gt;Tessely]], p.16&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. In the biography of the former ''CeBeDeM'' we read ''1942''&lt;/ins&gt;.&amp;lt;/ref&amp;gt; The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;motto of the &lt;/ins&gt;work was ''Après la pluie vient le beau temps'' [After rain comes sunshine].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The work was first performed in &lt;/del&gt;1943 in Flagey &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;(&lt;/del&gt;Brussels&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;), the conductor &lt;/del&gt;was &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;André Souris&lt;/del&gt;.&amp;lt;ref&amp;gt;CeBeDeM - lijst werken: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''Oeuvres &lt;/del&gt;de Victor Legley''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;p.1. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;More details are not known&lt;/del&gt;.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;First performance on 29 December &lt;/ins&gt;1943 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;by the NIR symphony orchestra conducted by André Souris &lt;/ins&gt;in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Studio 4 of &lt;/ins&gt;Flagey &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in &lt;/ins&gt;Brussels&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. This concert &lt;/ins&gt;was &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;broadcasted live on ''Radio-Bruxelles''&lt;/ins&gt;.&amp;lt;ref&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;CeBeDeM - lijst werken: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;amp;OElig;uvres &lt;/ins&gt;de Victor Legley'' &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;(&lt;/ins&gt;p.1&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;) only mentions that the work was performed for the first time in 1943 under the direction of André Souris in Flagey, Brussels. Prof. Eric Derom, who is doing research into musical life during WW II at the [https://www.cegesoma.be Study and Documentation Centre War and Contemporary Society], informed us about the concert of 29 December 1943, at which the symphony was most likely created. He also points out that at this concert, intriguingly, the first cello concerto by Bohuslav Martinů, a composer banned by the Nazis, was also played. We thank Prof. Derom warmly for the information. The broadcast with the symphony was also announced in the section ''A Radio-Bruxelles'' in ''L'Avenir'' of December 28, 1943, p&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;2&lt;/ins&gt;.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*instrumentation: symphony orchestra &amp;lt;ref&amp;gt;2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 2 trombones, tuba, percussion, harp, strings (16-14-12-10-8). In the autograph parts (see &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[#Sources|&lt;/del&gt;''sources''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;), Legley gives the double basses the old-fashioned Flemish name ''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;basviool&lt;/del&gt;''.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*instrumentation: symphony orchestra&amp;lt;ref&amp;gt;2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 2 trombones, tuba, percussion, harp, strings (16-14-12-10-8). In the autograph parts (see ''sources''), Legley gives the double basses the old-fashioned Flemish name &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;of &lt;/ins&gt;''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;bass violin&lt;/ins&gt;''.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*duration: 20' - 23'&amp;lt;ref&amp;gt;20' according to [http://www.cebedem.be/en/composers/l/94-legley-vic CeBeDeM], 23' according to the autograph percussion part (see &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[#Sources|&lt;/del&gt;''sources''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;).&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*duration: 20' - 23'&amp;lt;ref&amp;gt;20' according to [http://www.cebedem.be/en/composers/l/94-legley-vic CeBeDeM], 23' according to the autograph percussion part (see ''sources'').&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Parts ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Parts ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot; &gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*II. Andante cantabile&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*II. Andante cantabile&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;mainly &lt;/del&gt;'''4/4'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;predominantly &lt;/ins&gt;'''4/4'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*III. Allegro vivace, ma molto tranquillo - Meno mosso - Tempo primo - Meno mosso - Tempo primo&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*III. Allegro vivace, ma molto tranquillo - Meno mosso - Tempo primo - Meno mosso - Tempo primo&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l29&quot; &gt;Line 29:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 29:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph 1: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;95343 &lt;/del&gt;'''BV-03-4002 onderdeel-1''']&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph 1: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;28139 &lt;/ins&gt;'''BV-03-4002 onderdeel-1''']&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph 2: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;95345 &lt;/del&gt;'''BV-03-4003''']&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph 2: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;28141 &lt;/ins&gt;'''BV-03-4003''']&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph piano reduction&amp;lt;ref&amp;gt;[[De Roeck]] (p.259) mentions a reduction for 2 pianos. This is likely a mistake, he probably refers to this reduction, for 1 piano.&amp;lt;/ref&amp;gt;: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;95344 &lt;/del&gt;'''BV-03-4002 onderdeel-2''']&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph piano reduction&amp;lt;ref&amp;gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;De Roeck/en|&lt;/ins&gt;De Roeck]] (p.259) mentions a reduction for 2 pianos. This is likely &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;to be &lt;/ins&gt;a mistake, he probably refers to this reduction, for 1 piano.&amp;lt;/ref&amp;gt;: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;28140 &lt;/ins&gt;'''BV-03-4002 onderdeel-2''']&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph parts: '''Royal Conservatory Brussels''' ''(B-Bc)'', &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;CeBeDeM collection&lt;/del&gt;: '''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;B30/167&lt;/del&gt;'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph parts: '''Royal Conservatory Brussels''' ''(B-Bc)'', &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;shelf number [http&lt;/ins&gt;:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;//catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=103047 &lt;/ins&gt;'''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;CBD-B-0030-(00167)&lt;/ins&gt;'''&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Thematic &lt;/del&gt;Catalogue Victor Legley]][[Category:1941/en]][[Category:1942/en]][[Category:Orchestral music]][[Category:Music for symphony orchestra]][[Category:Symphonies]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Oeuvre &lt;/ins&gt;Catalogue Victor Legley]][[Category:1941/en]][[Category:1942/en]][[Category:Orchestral music]][[Category:Music for symphony orchestra]][[Category:Symphonies]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.muziekcollecties.be/index.php?title=Symphony_1&amp;diff=3455&amp;oldid=prev</id>
		<title>Koenraad at 12:15, 12 May 2017</title>
		<link rel="alternate" type="text/html" href="http://wiki.muziekcollecties.be/index.php?title=Symphony_1&amp;diff=3455&amp;oldid=prev"/>
		<updated>2017-05-12T12:15:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:15, 12 May 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l29&quot; &gt;Line 29:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 29:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph 1: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;plaatsnummer &lt;/del&gt;[http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=95343 '''BV-03-4002 onderdeel-1''']&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph 1: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=95343 '''BV-03-4002 onderdeel-1''']&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph 2: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=95345 '''BV-03-4003''']&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph 2: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=95345 '''BV-03-4003''']&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph piano reduction&amp;lt;ref&amp;gt;[[De Roeck]] (p.259) mentions a reduction for 2 pianos. This is likely a mistake, he probably refers to this reduction, for 1 piano.&amp;lt;/ref&amp;gt;: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=95344 '''BV-03-4002 onderdeel-2''']&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph piano reduction&amp;lt;ref&amp;gt;[[De Roeck]] (p.259) mentions a reduction for 2 pianos. This is likely a mistake, he probably refers to this reduction, for 1 piano.&amp;lt;/ref&amp;gt;: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=95344 '''BV-03-4002 onderdeel-2''']&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.muziekcollecties.be/index.php?title=Symphony_1&amp;diff=3180&amp;oldid=prev</id>
		<title>Koenraad: Created page with &quot;''dedicated to the NIR symphony orchestra''&lt;ref&gt;''A mes amis de l'orchestre symphonique de l'I.N.R.''&lt;/ref&gt;  Opus 10  == History == *Legley started composing this symphony 194...&quot;</title>
		<link rel="alternate" type="text/html" href="http://wiki.muziekcollecties.be/index.php?title=Symphony_1&amp;diff=3180&amp;oldid=prev"/>
		<updated>2016-09-30T08:12:54Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;dedicated to the NIR symphony orchestra&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;A mes amis de l&amp;#039;orchestre symphonique de l&amp;#039;I.N.R.&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt;  Opus 10  == History == *Legley started composing this symphony 194...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;''dedicated to the NIR symphony orchestra''&amp;lt;ref&amp;gt;''A mes amis de l'orchestre symphonique de l'I.N.R.''&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Opus 10&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
*Legley started composing this symphony 1941 and finished it on 26 June 1942 in Brussels.&lt;br /&gt;
*In 1943&amp;lt;ref&amp;gt;Or 1942? See CeBeDeM biography.&amp;lt;/ref&amp;gt; the symphony was rewarded the ''Agniez'' prize by the Royal Academy in Brussels.&amp;lt;ref&amp;gt;[[Tessely]], p.16.&amp;lt;/ref&amp;gt; The work's device was ''Après la pluie vient le beau temps'' [After rain comes sunshine].&lt;br /&gt;
*The work was first performed in 1943 in Flagey (Brussels), the conductor was André Souris.&amp;lt;ref&amp;gt;CeBeDeM - lijst werken: ''Oeuvres de Victor Legley'', p.1. More details are not known.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
*instrumentation: symphony orchestra &amp;lt;ref&amp;gt;2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 2 trombones, tuba, percussion, harp, strings (16-14-12-10-8). In the autograph parts (see [[#Sources|''sources'']]), Legley gives the double basses the old-fashioned Flemish name ''basviool''.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*duration: 20' - 23'&amp;lt;ref&amp;gt;20' according to [http://www.cebedem.be/en/composers/l/94-legley-vic CeBeDeM], 23' according to the autograph percussion part (see [[#Sources|''sources'']]).&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Parts ===&lt;br /&gt;
*I. &lt;br /&gt;
**Andante&lt;br /&gt;
***time signature: '''C'''&lt;br /&gt;
**Allegro moderato&lt;br /&gt;
***time signature: '''2/2'''&lt;br /&gt;
&lt;br /&gt;
*II. Andante cantabile&lt;br /&gt;
**time signature: mainly '''4/4'''&lt;br /&gt;
&lt;br /&gt;
*III. Allegro vivace, ma molto tranquillo - Meno mosso - Tempo primo - Meno mosso - Tempo primo&lt;br /&gt;
**time signatures: '''3/4''' - '''5/8''' - '''3/4''' - '''5/8''' - '''3/4'''&lt;br /&gt;
&lt;br /&gt;
* IV. Allegro vivace&lt;br /&gt;
**time signature: '''2/4'''&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
*autograph 1: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number plaatsnummer [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=95343 '''BV-03-4002 onderdeel-1''']&lt;br /&gt;
*autograph 2: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=95345 '''BV-03-4003''']&lt;br /&gt;
*autograph piano reduction&amp;lt;ref&amp;gt;[[De Roeck]] (p.259) mentions a reduction for 2 pianos. This is likely a mistake, he probably refers to this reduction, for 1 piano.&amp;lt;/ref&amp;gt;: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=95344 '''BV-03-4002 onderdeel-2''']&lt;br /&gt;
*autograph parts: '''Royal Conservatory Brussels''' ''(B-Bc)'', CeBeDeM collection: '''B30/167'''&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Thematic Catalogue Victor Legley]][[Category:1941/en]][[Category:1942/en]][[Category:Orchestral music]][[Category:Music for symphony orchestra]][[Category:Symphonies]]&lt;/div&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
</feed>