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	<id>http://wiki.muziekcollecties.be/index.php?action=history&amp;feed=atom&amp;title=Po%C3%A8me_d%27%C3%A9t%C3%A9%2Fen</id>
	<title>Poème d'été/en - Revision history</title>
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	<updated>2026-08-07T21:27:34Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>http://wiki.muziekcollecties.be/index.php?title=Po%C3%A8me_d%27%C3%A9t%C3%A9/en&amp;diff=4296&amp;oldid=prev</id>
		<title>Koenraad at 08:57, 27 September 2021</title>
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		<updated>2021-09-27T08:57:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:57, 27 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Opus 51 &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;n° &lt;/del&gt;1&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Opus 51 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;no.&lt;/ins&gt;1&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== History ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== History ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Legley completed this work on 4 July 1957.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Legley completed this work on 4 July 1957.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*It seems &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;as if &lt;/del&gt;Legley wrote this poem for a composition competition: both the autograph score and the autograph violin part have the number ''15'' added in red pencil, and on the violin part Legley wrote: ''devise: Point n'est besoin d'esperer [sic] pour entreprendre, ni de reussir [sic] pour persévérer''. Possibly, the same sentence was originally written on the score as well: on its first page something has clearly been erased. Legley seems to have added his name and the opus number to the score at a later date.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*It seems &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;that &lt;/ins&gt;Legley wrote this poem for a composition competition: both the autograph score and the autograph violin part have the number ''15'' added in red pencil, and on the violin part Legley wrote: ''devise: Point n'est besoin d'esperer [sic] pour entreprendre, ni de reussir [sic] pour persévérer''. Possibly, the same sentence was originally written on the score as well: on its first page something has clearly been erased. Legley seems to have added his name and the opus number to the score at a later date.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*Details of the first performance could not be found.&amp;lt;ref&amp;gt;On 19 April 1969 the work was played on the radio by Henri Desclin and Raya Birguer, but this is probably not the first performance. Cf. Anonymous: ''A la Radio'' in ''Le Soir'' of 19 April 1969, p.12.&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*instrumentation: violin and piano&amp;lt;ref&amp;gt;The autograph violin part &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;says &lt;/del&gt;''piano ou orchestre'', however, an orchestral version &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;could not be traced down&lt;/del&gt;, presumably, Legley's idea of orchestrating the piece has never been realised. See also [[Poème du printemps/en|Poème du printemps]].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*instrumentation: violin and piano&amp;lt;ref&amp;gt;The autograph violin part &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;reads &lt;/ins&gt;''piano ou orchestre'', however, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;there is no trace of &lt;/ins&gt;an orchestral version, presumably, Legley's idea of orchestrating the piece has never been realised. See also [[Poème du printemps/en|Poème du printemps]].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*duration: ca 13'&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*duration: ca 13'&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l32&quot; &gt;Line 32:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 33:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Thematic &lt;/del&gt;Catalogue Victor Legley]][[Category:1957/en]][[Category:Duos]][[Category:Music for violin and piano]][[Category:Music for violin]][[Category:Music for piano]][[Category: Chamber music]][[Category:Poèmes/en]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Oeuvre &lt;/ins&gt;Catalogue Victor Legley]][[Category:1957/en]][[Category:Duos]][[Category:Music for violin and piano]][[Category:Music for violin]][[Category:Music for piano]][[Category: Chamber music]][[Category:Poèmes/en]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.muziekcollecties.be/index.php?title=Po%C3%A8me_d%27%C3%A9t%C3%A9/en&amp;diff=3412&amp;oldid=prev</id>
		<title>Koenraad: Created page with &quot;Opus 51 n° 1  == History == *Legley completed this work on 4 July 1957. *It seems as if Legley wrote this poem for a composition competition: both the autograph score and the...&quot;</title>
		<link rel="alternate" type="text/html" href="http://wiki.muziekcollecties.be/index.php?title=Po%C3%A8me_d%27%C3%A9t%C3%A9/en&amp;diff=3412&amp;oldid=prev"/>
		<updated>2017-02-10T09:49:48Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;Opus 51 n° 1  == History == *Legley completed this work on 4 July 1957. *It seems as if Legley wrote this poem for a composition competition: both the autograph score and the...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Opus 51 n° 1&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
*Legley completed this work on 4 July 1957.&lt;br /&gt;
*It seems as if Legley wrote this poem for a composition competition: both the autograph score and the autograph violin part have the number ''15'' added in red pencil, and on the violin part Legley wrote: ''devise: Point n'est besoin d'esperer [sic] pour entreprendre, ni de reussir [sic] pour persévérer''. Possibly, the same sentence was originally written on the score as well: on its first page something has clearly been erased. Legley seems to have added his name and the opus number to the score at a later date.&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
*instrumentation: violin and piano&amp;lt;ref&amp;gt;The autograph violin part says ''piano ou orchestre'', however, an orchestral version could not be traced down, presumably, Legley's idea of orchestrating the piece has never been realised. See also [[Poème du printemps/en|Poème du printemps]].&amp;lt;/ref&amp;gt;&lt;br /&gt;
*duration: ca 13'&lt;br /&gt;
&lt;br /&gt;
=== Parts ===&lt;br /&gt;
*Andante molto tranquillo&lt;br /&gt;
**time signature: '''4/4'''&lt;br /&gt;
*Allegro moderato e commodo&lt;br /&gt;
**time signature: '''4/4'''&lt;br /&gt;
*Andante tranquillo&lt;br /&gt;
**time signature: '''4/4'''&lt;br /&gt;
*Allegro moderato e commodo&lt;br /&gt;
**time signature: '''4/4'''&lt;br /&gt;
*Andante cantabile&lt;br /&gt;
**time signature: '''12/8'''&lt;br /&gt;
*Allegro con fuoco&lt;br /&gt;
**time signature: '''12/8''' and '''3/4'''&lt;br /&gt;
*Allegro feroce&lt;br /&gt;
**time signature: '''3/4'''&lt;br /&gt;
&lt;br /&gt;
==Sources==&lt;br /&gt;
*autograph (score and violin part): '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28168 '''BV-03-4026 onderdeel 1''']&lt;br /&gt;
*first edition (score and violin part): '''CeBeDeM''', Brussels, '''1959'''&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Thematic Catalogue Victor Legley]][[Category:1957/en]][[Category:Duos]][[Category:Music for violin and piano]][[Category:Music for violin]][[Category:Music for piano]][[Category: Chamber music]][[Category:Poèmes/en]]&lt;/div&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
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