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	<title>Paradise regained (1967-1986)/en - Revision history</title>
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	<updated>2026-10-24T22:23:15Z</updated>
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		<id>http://wiki.muziekcollecties.be/index.php?title=Paradise_regained_(1967-1986)/en&amp;diff=4345&amp;oldid=prev</id>
		<title>Koenraad at 12:03, 10 October 2021</title>
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		<updated>2021-10-10T12:03:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:03, 10 October 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;inspired by a [&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;http&lt;/del&gt;://&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;klassiekegedichten&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;net&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;archief&lt;/del&gt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;klas052&lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;html &lt;/del&gt;poem] by [https://en.wikipedia.org/wiki/Hendrik_Marsman Marsman]&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;inspired by a [&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;https&lt;/ins&gt;://&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;cf&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;hum.uva.nl/dsp/ljc&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;marsman&lt;/ins&gt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;paradise&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;htm &lt;/ins&gt;poem] by [https://en.wikipedia.org/wiki/Hendrik_Marsman Marsman]&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;The original version of this work was dedicated to Legley&amp;#039;s grandson David: &amp;#039;&amp;#039;voor de 0de verjaardag van David&amp;#039;&amp;#039; [&amp;#039;&amp;#039;for David&amp;#039;s &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;zero &lt;/del&gt;birthday&amp;#039;&amp;#039;].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref&amp;gt;The original version of this work was dedicated to Legley&amp;#039;s grandson David: &amp;#039;&amp;#039;voor de 0de verjaardag van David&amp;#039;&amp;#039; [&amp;#039;&amp;#039;for David&amp;#039;s &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;0th &lt;/ins&gt;birthday&amp;#039;&amp;#039;].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Opus 70&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Opus 70&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot; &gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Version 1 (rejected)===&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Version 1 (rejected)===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The original version of this work was written by Legley in 1967&amp;lt;ref&amp;gt;[[Tessely/en|Tessely]], p.33.&amp;lt;/ref&amp;gt; or 1968&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]], p.433.&amp;lt;/ref&amp;gt; at the occasion of his first grandchild David&amp;#039;s birth, and was a composition for symphony orchestra.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The original version of this work was written by Legley in 1967&amp;lt;ref&amp;gt;[[Tessely/en|Tessely]], p.33.&amp;lt;/ref&amp;gt; or 1968&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]], p.433.&amp;lt;/ref&amp;gt; at the occasion of his first grandchild David&amp;#039;s birth, and was a composition for symphony orchestra.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The first performance took place in Liège on 21 November 1969, Paul Strauss leading the symphony orchestra of Liège.&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]], p.434.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The first performance took place in Liège on 21 November 1969, Paul Strauss leading the symphony orchestra of Liège.&amp;lt;ref&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;See:&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*J.M.: &amp;#039;&amp;#039;Auspices favorables pour les concerts du Conservatoire liégeois&amp;#039;&amp;#039; in &amp;#039;&amp;#039;Le Soir&amp;#039;&amp;#039; of 7 September 1969, p.5&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*Anonymous: &amp;#039;&amp;#039;A la radio&amp;#039;&amp;#039; in &amp;#039;&amp;#039;Le Soir&amp;#039;&amp;#039; of 21 November 1969, p.12&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*MAIREL, Jacques: &amp;#039;&amp;#039;Une &amp;amp;oelig;uvre de Victor Legley en création mondiale&amp;#039;&amp;#039; in &amp;#039;&amp;#039;Le Soir&amp;#039;&amp;#039; of 26 November 1969, p.7&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;[[De Roeck/en|De Roeck]], p.434.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Version 2===&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Version 2===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Legley &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;started working &lt;/del&gt;on the final version of &amp;#039;&amp;#039;Paradise regained&amp;#039;&amp;#039; on 13 February 1986 in Koksijde&amp;lt;ref name=&amp;quot;een&amp;quot;&amp;gt;See &amp;#039;&amp;#039;photocopy of the autograph - version 1&amp;#039;&amp;#039;.&amp;lt;/ref&amp;gt; and completed it in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Augustus &lt;/del&gt;1986 in Koksijde. It is not merely a transcription for concert band, but a reworked version of the previous work.&amp;lt;ref&amp;gt;Legley writes in his autograph: &amp;#039;&amp;#039;N.B Dit is geen transcriptie van het vorige werk voor symphonieorkest. Het is een nieuwe compositie die het oude materiaal gebruikt. Dit werk vernietigt en vervangt het vorige.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;N.B This is not a transcription of the previous work for symphony orchestra. It is a new composition reusing the old material. This work destroys and replaces the previous one.&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;] &lt;/del&gt;Prior to the first page of the autograph, a page containing the following text has been glued: &amp;#039;&amp;#039;Paradise Regained, op. 70 was oorspronkelijk een symfonische schets naar het gedicht van H. Marsman. Dit nieuwe stuk voor harmonie-orkest is geen &amp;quot;bewerking&amp;quot; van het vorige; het is een totaal nieuwe compositie die hetzelfde muzikale materiaal gebruikt en tevens de eerste compositie vervangt. Het dateert van 1986.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039; &lt;/del&gt;[&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/del&gt;Paradise Regained, op. 70 was originally a symphonic sketch inspired by the poem by H. Marsman. This new piece for concert band is not an &amp;quot;arrangement&amp;quot; of the previous one; it is a totally new composition reusing the same musical material and replacing the first composition as well. It dates from van 1986.&amp;#039;&amp;#039;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]&lt;/del&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Legley &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;began work &lt;/ins&gt;on the final version of &amp;#039;&amp;#039;Paradise regained&amp;#039;&amp;#039; on 13 February 1986 in Koksijde&amp;lt;ref name=&amp;quot;een&amp;quot;&amp;gt;See &amp;#039;&amp;#039;photocopy of the autograph - version 1&amp;#039;&amp;#039;.&amp;lt;/ref&amp;gt; and completed it in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;August &lt;/ins&gt;1986 in Koksijde. It is not merely a transcription for concert band, but a reworked version of the previous work.&amp;lt;ref&amp;gt;Legley writes in his autograph: &amp;#039;&amp;#039;N.B Dit is geen transcriptie van het vorige werk voor symphonieorkest. Het is een nieuwe compositie die het oude materiaal gebruikt. Dit werk vernietigt en vervangt het vorige. [N.B This is not a transcription of the previous work for symphony orchestra. It is a new composition reusing the old material. This work destroys and replaces the previous one.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]&lt;/ins&gt;&amp;#039;&amp;#039; Prior to the first page of the autograph, a page containing the following text has been glued: &amp;#039;&amp;#039;Paradise Regained, op. 70 was oorspronkelijk een symfonische schets naar het gedicht van H. Marsman. Dit nieuwe stuk voor harmonie-orkest is geen &amp;quot;bewerking&amp;quot; van het vorige; het is een totaal nieuwe compositie die hetzelfde muzikale materiaal gebruikt en tevens de eerste compositie vervangt. Het dateert van 1986. [Paradise Regained, op. 70 was originally a symphonic sketch inspired by the poem by H. Marsman. This new piece for concert band is not an &amp;quot;arrangement&amp;quot; of the previous one; it is a totally new composition reusing the same musical material and replacing the first composition as well. It dates from van 1986.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]&lt;/ins&gt;&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*On 4 November 1986, the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Groot Harmonieorkest der Gidsen &lt;/del&gt;conducted by Norbert Nozy played this work for the first time in the big BRT concert studio &amp;lt;ref&amp;gt;Presumably Studio 4 in concert hall Flagey.&amp;lt;/ref&amp;gt; in Brussels.&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]], p.437.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*On 4 November 1986, the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;Royal Band of the Belgian Guides&amp;#039;&amp;#039; &lt;/ins&gt;conducted by Norbert Nozy played this work for the first time in the big &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;BRT&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;concert studio &amp;lt;ref&amp;gt;Presumably &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;Studio 4&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;in concert hall &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;Flagey&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;.&amp;lt;/ref&amp;gt; in Brussels.&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]], p.437.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Version 1===&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Version 1===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*instrumentation: symphony orchestra&amp;lt;ref name=&amp;quot;een&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;Piccolo, 2 flutes, 2 oboes, English horn, 3 clarinets, bass clarinet, 2 bassoons, double bassoon, 4 horns, 3 trumpets, 3 trombones, tuba, percussion, harp and strings.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*instrumentation: symphony orchestra&amp;lt;ref name=&amp;quot;een&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;Piccolo, 2 flutes, 2 oboes, English horn, 3 clarinets, bass clarinet, 2 bassoons, double bassoon, 4 horns, 3 trumpets, 3 trombones, tuba, percussion, harp and strings.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*duration: ca 7&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*duration: ca 7&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l36&quot; &gt;Line 36:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 41:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Lento&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Lento&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Het schip van de wind ligt gereed voor de reis&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Het schip van de wind ligt gereed voor de reis &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[The ship of the wind lies ready for the voyage]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**tempo: Maestoso (l&amp;#039;istesso tempo )&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**tempo: Maestoso (l&amp;#039;istesso tempo )&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l53&quot; &gt;Line 53:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 58:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Allegro energico&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Allegro energico&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &amp;#039;&amp;#039;&amp;#039;5/8&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &amp;#039;&amp;#039;&amp;#039;5/8&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Het schip van de wind ligt gereed voor de reis&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Het schip van de wind ligt gereed voor de reis &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[The ship of the wind lies ready for the voyage]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**tempo: Lento&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**tempo: Lento&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l59&quot; &gt;Line 59:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 64:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph - version 2: &amp;#039;&amp;#039;&amp;#039;Royal Conservatory Brussels&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(B-Bc)&amp;#039;&amp;#039;, shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28235 &amp;#039;&amp;#039;&amp;#039;BV-03-4088&amp;#039;&amp;#039;&amp;#039;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph - version 2: &amp;#039;&amp;#039;&amp;#039;Royal Conservatory Brussels&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(B-Bc)&amp;#039;&amp;#039;, shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28235 &amp;#039;&amp;#039;&amp;#039;BV-03-4088&amp;#039;&amp;#039;&amp;#039;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*photocopy of the autograph - version 1: &amp;#039;&amp;#039;&amp;#039;Royal Conservatory Brussels&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(B-Bc)&amp;#039;&amp;#039;, no shelf number yet (Legley &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;archives&lt;/del&gt;). Contains Legley&amp;#039;s annotations preparing version 2&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*photocopy of the autograph - version 1: &amp;#039;&amp;#039;&amp;#039;Royal Conservatory Brussels&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(B-Bc)&amp;#039;&amp;#039;, no shelf number yet (Legley &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;archive&lt;/ins&gt;). Contains Legley&amp;#039;s annotations preparing version 2&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;ref&amp;gt;According to [[De Roeck/en|De Roeck]] (p.433), the autograph would have been in the archive that Legley&amp;#039;s son kept. However, that archive was donated in 2011 to the library of the &amp;#039;&amp;#039;&amp;#039;Royal Conservatory of Brussels&amp;#039;&amp;#039;&amp;#039;, where this work is not present. Perhaps this manuscript has remained in the Legley family after all.&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Thematic &lt;/del&gt;Catalogue Victor Legley]][[Category:1967/en]][[Category:1968/en]][[Category:1986/en]][[Category:Orchestral music]][[Category:Music for wind orchestra]][[Category:Music for symphony orchestra]][[Category:Arrangements]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Oeuvre &lt;/ins&gt;Catalogue Victor Legley]][[Category:1967/en]][[Category:1968/en]][[Category:1986/en]][[Category:Orchestral music]][[Category:Music for wind orchestra]][[Category:Music for symphony orchestra]][[Category:Arrangements]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.muziekcollecties.be/index.php?title=Paradise_regained_(1967-1986)/en&amp;diff=3514&amp;oldid=prev</id>
		<title>Koenraad: Created page with &quot;&#039;&#039;inspired by a [http://klassiekegedichten.net/archief/klas052.html poem] by [https://en.wikipedia.org/wiki/Hendrik_Marsman Marsman]&#039;&#039;  &lt;ref&gt;The original version of this work...&quot;</title>
		<link rel="alternate" type="text/html" href="http://wiki.muziekcollecties.be/index.php?title=Paradise_regained_(1967-1986)/en&amp;diff=3514&amp;oldid=prev"/>
		<updated>2017-12-17T13:34:45Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;inspired by a [http://klassiekegedichten.net/archief/klas052.html poem] by [https://en.wikipedia.org/wiki/Hendrik_Marsman Marsman]&amp;#039;&amp;#039;  &amp;lt;ref&amp;gt;The original version of this work...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;inspired by a [http://klassiekegedichten.net/archief/klas052.html poem] by [https://en.wikipedia.org/wiki/Hendrik_Marsman Marsman]&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;ref&amp;gt;The original version of this work was dedicated to Legley&amp;#039;s grandson David: &amp;#039;&amp;#039;voor de 0de verjaardag van David&amp;#039;&amp;#039; [&amp;#039;&amp;#039;for David&amp;#039;s zero birthday&amp;#039;&amp;#039;].&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Opus 70&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
*This work is related to [[Paradise regained (1946)/en|Paradise regained]] from 1946.&lt;br /&gt;
&lt;br /&gt;
===Version 1 (rejected)===&lt;br /&gt;
*The original version of this work was written by Legley in 1967&amp;lt;ref&amp;gt;[[Tessely/en|Tessely]], p.33.&amp;lt;/ref&amp;gt; or 1968&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]], p.433.&amp;lt;/ref&amp;gt; at the occasion of his first grandchild David&amp;#039;s birth, and was a composition for symphony orchestra.&lt;br /&gt;
*The first performance took place in Liège on 21 November 1969, Paul Strauss leading the symphony orchestra of Liège.&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]], p.434.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Version 2===&lt;br /&gt;
*Legley started working on the final version of &amp;#039;&amp;#039;Paradise regained&amp;#039;&amp;#039; on 13 February 1986 in Koksijde&amp;lt;ref name=&amp;quot;een&amp;quot;&amp;gt;See &amp;#039;&amp;#039;photocopy of the autograph - version 1&amp;#039;&amp;#039;.&amp;lt;/ref&amp;gt; and completed it in Augustus 1986 in Koksijde. It is not merely a transcription for concert band, but a reworked version of the previous work.&amp;lt;ref&amp;gt;Legley writes in his autograph: &amp;#039;&amp;#039;N.B Dit is geen transcriptie van het vorige werk voor symphonieorkest. Het is een nieuwe compositie die het oude materiaal gebruikt. Dit werk vernietigt en vervangt het vorige.&amp;#039;&amp;#039;[&amp;#039;&amp;#039;N.B This is not a transcription of the previous work for symphony orchestra. It is a new composition reusing the old material. This work destroys and replaces the previous one.&amp;#039;&amp;#039;] Prior to the first page of the autograph, a page containing the following text has been glued: &amp;#039;&amp;#039;Paradise Regained, op. 70 was oorspronkelijk een symfonische schets naar het gedicht van H. Marsman. Dit nieuwe stuk voor harmonie-orkest is geen &amp;quot;bewerking&amp;quot; van het vorige; het is een totaal nieuwe compositie die hetzelfde muzikale materiaal gebruikt en tevens de eerste compositie vervangt. Het dateert van 1986.&amp;#039;&amp;#039; [&amp;#039;&amp;#039;Paradise Regained, op. 70 was originally a symphonic sketch inspired by the poem by H. Marsman. This new piece for concert band is not an &amp;quot;arrangement&amp;quot; of the previous one; it is a totally new composition reusing the same musical material and replacing the first composition as well. It dates from van 1986.&amp;#039;&amp;#039;]&amp;lt;/ref&amp;gt;&lt;br /&gt;
*On 4 November 1986, the Groot Harmonieorkest der Gidsen conducted by Norbert Nozy played this work for the first time in the big BRT concert studio &amp;lt;ref&amp;gt;Presumably Studio 4 in concert hall Flagey.&amp;lt;/ref&amp;gt; in Brussels.&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]], p.437.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
===Version 1===&lt;br /&gt;
*instrumentation: symphony orchestra&amp;lt;ref name=&amp;quot;een&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;Piccolo, 2 flutes, 2 oboes, English horn, 3 clarinets, bass clarinet, 2 bassoons, double bassoon, 4 horns, 3 trumpets, 3 trombones, tuba, percussion, harp and strings.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*duration: ca 7&amp;#039;&lt;br /&gt;
&lt;br /&gt;
==== Parts ====&lt;br /&gt;
*Allegro&amp;lt;ref name=&amp;quot;een&amp;quot;/&amp;gt;&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Più vivo&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;9/8&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Poco meno mosso&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*A tempo&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;9/8&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Adagio&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;3/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Allegro vivace&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;5/8&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Lento&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Het schip van de wind ligt gereed voor de reis&lt;br /&gt;
**tempo: Maestoso (l&amp;#039;istesso tempo )&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
===Version 2===&lt;br /&gt;
*instrumentation: concert band&lt;br /&gt;
*duration: ca 10&amp;#039;&lt;br /&gt;
&lt;br /&gt;
==== Parts ====&lt;br /&gt;
*Allegro&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Più vivo&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;9/8&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Subito molto più lento&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;3/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Allegro energico&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;5/8&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
*Het schip van de wind ligt gereed voor de reis&lt;br /&gt;
**tempo: Lento&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
*autograph - version 2: &amp;#039;&amp;#039;&amp;#039;Royal Conservatory Brussels&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(B-Bc)&amp;#039;&amp;#039;, shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28235 &amp;#039;&amp;#039;&amp;#039;BV-03-4088&amp;#039;&amp;#039;&amp;#039;]&lt;br /&gt;
*photocopy of the autograph - version 1: &amp;#039;&amp;#039;&amp;#039;Royal Conservatory Brussels&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(B-Bc)&amp;#039;&amp;#039;, no shelf number yet (Legley archives). Contains Legley&amp;#039;s annotations preparing version 2&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Thematic Catalogue Victor Legley]][[Category:1967/en]][[Category:1968/en]][[Category:1986/en]][[Category:Orchestral music]][[Category:Music for wind orchestra]][[Category:Music for symphony orchestra]][[Category:Arrangements]]&lt;/div&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
</feed>