Nicolas Lambert Wéry - Revision history

Richard at 19:54, 3 March 2016

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Richard at 10:05, 23 February 2016

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Richard at 05:58, 23 February 2016

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Richard at 11:35, 3 November 2015

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Richard at 11:34, 3 November 2015

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Richard at 14:30, 29 October 2015

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Richard at 05:19, 13 October 2015

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Richard at 05:17, 13 October 2015

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Richard at 07:04, 10 September 2015

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Richard at 06:52, 10 September 2015

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 * 22 - Troisième concerto pour le violon <!-- (B-Bc FC-9-R) -->
 * 23 - [13ème air varié...Le depart du jeune Marie] (B-Lc)
 * 25 - [14ème air varié] (B-Lc)
 * 26 – Quinzième air varié pour le violon avec accompagnement d’orchestre (B-Bc 25105(13))
 * 27 – Seizième air varié pour le violon avec accompagnement d’orchestre ou de piano (B-Bc 25105(15))

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 ==Biography==
-Nicolas Lambert Wéry was born in Huy, Belgium and began studying violin at an extremely young age with Charles Delhaise.  From 1805 to 1807 he studied violin in Liège with Léonard-Joseph Gaillard.  In 1807 Wéry was forced to end his studies due to obligatory military service in the French army.  His regiment was stationed in Metz and subsequently Versailles, France but after about a year he was authorized to return to his family.  After two months in Huy he decided to return to Metz to establish himself as a musician.  Wéry performed in various towns while travelling to Metz and upon arriving at Sedan, France, decided to take advantage of the professional possibilities there and made it his home.  He lived in Sedan until 1822, the while time travelling periodically to Paris to study with [http://en.wikipedia.org/wiki/Pierre_Baillot Pierre-Marie-François de Sales Baillot].  After leaving Sedan he moved briefly to Paris where he was named the director of concerts at Wauxhall where he performed his first violin concerto but left the city soon after upon learning that the position of first violin to the king of the Netherlands, which at that time also included Belgium, had become free.  Wéry obtained the position with the support of the [http://en.wikipedia.org/wiki/Fran%C3%A7ois-Joseph-Philippe_de_Riquet Prince of Chimay] as well as the minister of public education.  Wéry taught at the forerunners of the current Brussels Royal Conservatory from 1822 until 1832 and at the newly founded conservatory from 1832 until 1860. Wéry published more than 50 works and [http://en.wikipedia.org/wiki/Fran%C3%A7ois-Joseph_F%C3%A9tis François-Joseph Fétis] refers to others in manuscript which have not been located.  While his playing and teaching were well respected by his colleagues and the press, he was viewed as slightly old school in comparison with his colleagues Lambert-Joseph Meerts and Charles-Auguste de Bériot.  In 1837 he purchased a Stradivarius violin of which we have no trace.  He gave frequent concerts in his home beginning in the 1850's and continuing until his death.  In 1857 he received the Sainte-Hélène medal from the French government for his military service as well as being a knight in the Order of Léopold.  The records of the Brussels conservatory show that Wéry had intended to continue teaching longer but his repeated demands for a higher salary, which were always refused, led to his retirement in 1860.  Various letters and records in the conservatories library and archives point to conflict between Wéry and the director François Joseph Fétis.  Most likely Fétis saw Wéry's presence as a symbol of the former French and Dutch governments and an outdated style.  Wéry continued to teach privately until his death in 1867.  He died in the small village of Bande, Belgium where he had gone to recuperate after becoming ill.  The majority of his works can be found in the library of the Brussels conservatories and many works are in the private library of the Prince of Chimay which is not accessible to the public.
+Nicolas Lambert Wéry was born in Huy, Belgium and began studying violin at an extremely young age with Charles Delhaise.  From 1805 to 1807 he studied violin in Liège with Léonard-Joseph Gaillard.  In 1807 Wéry was forced to end his studies due to obligatory military service in the French army.  His regiment was stationed in Metz and subsequently Versailles, France but after about a year he was authorized to return to his family.  After two months in Huy he decided to return to Metz to establish himself as a musician.  Wéry performed in various towns while travelling to Metz and upon arriving at Sedan, France, decided to take advantage of the professional possibilities there and made it his home.  He lived in Sedan until 1822, the while time travelling periodically to Paris to study with [http://en.wikipedia.org/wiki/Pierre_Baillot Pierre-Marie-François de Sales Baillot].  After leaving Sedan he moved briefly to Paris where he was named the director of concerts at Vauxhall where he performed his first violin concerto but left the city soon after upon learning that the position of first violin to the king of the Netherlands, which at that time also included Belgium, had become free.  Wéry obtained the position with the support of the [http://en.wikipedia.org/wiki/Fran%C3%A7ois-Joseph-Philippe_de_Riquet Prince of Chimay] as well as the minister of public education.  Wéry taught at the forerunners of the current Brussels Royal Conservatory from 1822 until 1832 and at the newly founded conservatory from 1832 until 1860. Wéry published more than 50 works and [http://en.wikipedia.org/wiki/Fran%C3%A7ois-Joseph_F%C3%A9tis François-Joseph Fétis] refers to others in manuscript which have not been located.  While his playing and teaching were well respected by his colleagues and the press, he was viewed as slightly old school in comparison with his colleagues Lambert-Joseph Meerts and Charles-Auguste de Bériot.  In 1837 he purchased a Stradivarius violin of which we have no trace.  He gave frequent concerts in his home beginning in the 1850's and continuing until his death.  In 1857 he received the Sainte-Hélène medal from the French government for his military service as well as being a knight in the Order of Léopold.  The records of the Brussels conservatory show that Wéry had intended to continue teaching longer but his repeated demands for a higher salary, which were always refused, led to his retirement in 1860.  Various letters and records in the conservatories library and archives point to conflict between Wéry and the director François Joseph Fétis.  Most likely Fétis saw Wéry's presence as a symbol of the former French and Dutch governments and an outdated style.  Wéry continued to teach privately until his death in 1867.  He died in the small village of Bande, Belgium where he had gone to recuperate after becoming ill.  The majority of his works can be found in the library of the Brussels conservatories and many works are in the private library of the Prince of Chimay which is not accessible to the public.
 ==Teachers==

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 * Opus 44 - 70 Préludes
 * Opus 46
 ===Available Online===

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 * 26 – Quinzième air varié pour le violon avec accompagnement d’orchestre (B-Bc 25105(13))
 * 27 – Seizième air varié pour le violon avec accompagnement d’orchestre ou de piano (B-Bc 25105(15))
-* 28 – Études mélodiques pour violon avec accompagnement d’un 2e violon (B-Bc 8952)
+* 28 – Études mélodiques pour violon avec accompagnement d’un 2e violon (B-Bc 8952<!--, FC-9-R -->)
 * 29 – Fantaisie pour violon avec accompagnement d’orchestre ou le piano (B-Bc 25105(15))
-* 30 – Duo concertant pour deux violons (B-Bc 39967)
+* 30 – Duo concertant pour deux violons (B-Bc 39967<!--, FC-9-R -->)
 * 31 – Duo pour violon seul (B-Bc 8953)
 * 32 – Morceau de salon Fantaisie pour piano et violon (B-Bc 25105(17))

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 ===Works with opus numbers===
-* 1 – 1er Air varié pour violon avec accompagnement de second violon alto et basse (B-Bc 25105(1)) <br>
+* 1 – 1er Air varié pour violon avec accompagnement de second violon alto et basse (B-Bc 25105(1)<!--, FC-9-R -->) <br>
-* 2 - [1er concerto] (B-Lc)
+* 2 - Premier concerto pour le violon <!--(B-Bc FC-9-R) -->
-* 3 – 2ème air varié pour violon avec accompagnement de second violon, alto et basse ou de piano (B-Bc 25105(2)) <br>
+* 3 – 2ème air varié pour violon avec accompagnement de second violon, alto et basse ou de piano (B-Bc 25105(2)<!--, FC-9-R -->) <br>
-* 4 – 3ème Air varié pour violon avec accompagnement de second violon, alto et basse, ou de piano (B-Bc 25105(3)) <br>
+* 4 – 3ème Air varié pour violon avec accompagnement de second violon, alto et basse, ou de piano (B-Bc 25105(3),<!--, FC-9-R -->) <br>
-* 5 – 4ème air varié pour violon avec accompagnement de second violon, alto et basse (B-Bc 25105(4)) <br>
+* 5 – 4ème air varié pour violon avec accompagnement de second violon, alto et basse (B-Bc 25105(4)<!--, FC-9-R -->) <br>
-* 6 – Deuxième concerto pour le violon avec accompagnement d’orchestre (B-Bc 5847) <br>
+* 6 – Deuxième concerto pour le violon avec accompagnement d’orchestre (B-Bc 5847<!--, FC-9-R -->) <br>
-* 7 – 5ème Air varié pour violon avec accompagnement de violon, alto violoncelle ou de piano (B-Bc 25105(5)) <br>
+* 7 – 5ème Air varié pour violon avec accompagnement de violon, alto violoncelle ou de piano (B-Bc 25105(5)<!--, FC-9-R -->) <br>
-* 8 – Menuet de l’opéra Don Juan de Mozart, sixième air varié pour le violon (NL-Hk)
+* 8 – Menuet de l’opéra Don Juan de Mozart, sixième air varié pour le violon <!--(B-Bc FC-9-R) -->
-* 9 – 7ème Air varié pour violon avec accompagnement de second violon, alto et basse ou de piano (B-Bc 25105(6), 43592) <br>
+* 9 – 7ème Air varié pour violon avec accompagnement de second violon, alto et basse ou de piano (B-Bc 25105(6), 43592<!--, FC-9-R -->) <br>
-* 10 – 8ème Air varié pour violon avec accompagnement d’orchestre ou de piano (B-Bc 25105(7), 43593) <br>
+* 10 – 8ème Air varié pour violon avec accompagnement d’orchestre ou de piano (B-Bc 25105(7), 43593, <!--, FC-9-R -->) <br>
-* 11 - [9ème air varié] (B-Lc)
+* 11 - Neuvième air varié <!--(B-Bc FC-9-R) -->
 * 12 – [http://imslp.org/wiki/20_Exercises,_Op.12_%28W%C3%A9ry,_Nicolas-Lambert%29 20 Exercices pour violon] (B-Bc 8949, 43594) <br>
 * 13 – 10ème Air varié pour violon avec accompagnement d’orchestre ou de piano (B-Bc 25105(8)) <br>
-* 14 – Rondo sur un chant de l’ouverture de Robin des bois pour violon avec accompagnement d’orhcestre ou de piano (B-Bc 25105(9)) <br>
+* 14 – Rondo sur un chant de l’ouverture de Robin des bois pour violon avec accompagnement d’orhcestre ou de piano (B-Bc 25105(9)<!--, FC-9-R -->) <br>
-* 15 – Introduction et Rondo pour le violon (B-Bc P-2-1053(15), B-Br Mus. 23.421 C)
+* 15 – Introduction et Rondo pour le violon (B-Bc P-2-1053(15), <!-- FC-9-R, -->B-Br Mus. 23.421 C)
-* 16 – 50 Variations sur la gamme ou études pour violon (B-Bc 8950<!--, B-Bc Fond Rouma-->) <br>
+* 16 – 50 Variations sur la gamme ou études pour violon (B-Bc 8950<!--, FC-9-R -->) <br>
-* 17 – Rondo précédé d’un récitatif pour violon avec accompagnement d’orchestre ou de piano (B-Bc 25105(10)) <br>
+* 17 – Rondo précédé d’un récitatif pour violon avec accompagnement d’orchestre ou de piano (B-Bc 25105(10)<!--, FC-9-R -->) <br>
 * 18 - [Introduction et rondo] (B-Lc)
 * 19 – 12 Études pour violon (B-Bc 8951) <br>
 * 20 – Onzième air varié pour le violon avec accompagnement d’orchestre ou piano (B-Bc 25105(11)) <br>
 * 21 - [12ème air varié...Tyrolien] (B-Lc)
-* 22 - [3ème concerto] (B-Lc)
+* 22 - Troisième concerto pour le violon <!-- (B-Bc FC-9-R) -->
 * 23 - [13ème air varié...Le depart du jeune Marie] (B-Lc)
 * 25 - [14ème air varié] (B-Lc)

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 -->
 <!--To Do
+Works list
 -->

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 * 19 – 12 Études pour violon (B-Bc 8951) <br>
 * 20 – Onzième air varié pour le violon avec accompagnement d’orchestre ou piano (B-Bc 25105(11)) <br>
 * 24 – Adagio et rondo pour le violon avec accompagnement d’orchestre ou piano (B-Bc 25105(12))
 * 26 – Quinzième air varié pour le violon avec accompagnement d’orchestre (B-Bc 25105(13))
@@ Line 85: / Line 86: @@
 * Opus 11 - 9ème air varié
 * Opus 18
 * Opus 22
 * Opus 23