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	<title>La farce des deux nues/en - Revision history</title>
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	<updated>2026-04-27T13:38:47Z</updated>
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		<title>Koenraad at 07:28, 4 October 2021</title>
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		<updated>2021-10-04T07:28:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:28, 4 October 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''De cluyte van de twee naakten of de mooie onbekende&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&amp;lt;ref&amp;gt;''&lt;/del&gt;The comedy of the two nudes or the unknown beauty''&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''De cluyte van de twee naakten of de mooie onbekende &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[&lt;/ins&gt;The comedy of the two nudes or the unknown beauty&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]&lt;/ins&gt;''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''opera in 4 acts''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''opera in 4 acts''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Opera on a libretto by [https://fr.wikipedia.org/wiki/Herman_Closson Herman Closson]. [https://nl.wikipedia.org/wiki/Anton_van_de_Velde Anton van de Velde] translated the opera into Dutch.&amp;lt;ref name=&amp;quot;een&amp;quot;&amp;gt;[[Tessely/en|Tessely]], p.121.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Opera on a libretto by [https://fr.wikipedia.org/wiki/Herman_Closson Herman Closson]. [https://nl.wikipedia.org/wiki/Anton_van_de_Velde Anton van de Velde] translated the opera into Dutch.&amp;lt;ref name=&amp;quot;een&amp;quot;&amp;gt;[[Tessely/en|Tessely]], p.121.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Legley worked on his opera from 1959 to September 1963.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Legley worked on his opera from 1959 to September 1963.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The beginning of the fourth act was reused by Legley as a [[Jingle (3rd programme)|jingle]] for the Belgian radio.&amp;lt;ref&amp;gt;On p.358 of the autograph, Legley wrote down: ''Het begin van deze 4e acte is het indicatief van het IIIe programma&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/del&gt;[The beginning of this 4th act is the jingle of the IIIrd programme]]. More details are to be found at the description of [[Jingle (3rd programme)]].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The beginning of the fourth act was reused by Legley as a [[Jingle (3rd programme)|jingle]] for the Belgian radio.&amp;lt;ref&amp;gt;On p.358 of the autograph, Legley wrote down: ''Het begin van deze 4e acte is het indicatief van het IIIe programma [The beginning of this 4th act is the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Jingle (3rd programme)|&lt;/ins&gt;jingle of the IIIrd programme]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]''&lt;/ins&gt;. More details are to be found at the description of [[Jingle (3rd programme)]].&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The first performance (in Dutch) took place on 10 December 1966 in the Royal Flemish Opera in Antwerp.&amp;lt;ref name=&amp;quot;een&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]] (p.400) mentions the first performers:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-&lt;/del&gt;Astolphe: Paul Schotsmans&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-&lt;/del&gt;Baron Gonzague: Armand Reynaerts&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-&lt;/del&gt;Baroness Ysabeau: Marie-Louise Hendrickx&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-&lt;/del&gt;Estramadon: Marcel Vercammen&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-&lt;/del&gt;Matchmaker: Rita Lafaut&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-&lt;/del&gt;Bellman: Marcel Ost&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-&lt;/del&gt;Soldier 1: Lode Le Moine&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-&lt;/del&gt;Soldier 2: Robert van Helvert&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-&lt;/del&gt;Soubrette: Angèle Geerts&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-&lt;/del&gt;Yolande: Erika Pauwels&amp;lt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;br/&amp;gt;-Conductor&lt;/del&gt;: Frits Celis&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-Director&lt;/del&gt;: Anton van de Velde&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;br/&amp;gt;-Orchestra &lt;/del&gt;of the Flemish Opera&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/del&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The first performance (in Dutch) took place on 10 December 1966 in the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Royal Flemish Opera&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;in Antwerp.&amp;lt;ref name=&amp;quot;een&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]] (p.400) mentions the first performers:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Astolphe: Paul Schotsmans&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Baron Gonzague: Armand Reynaerts&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Baroness Ysabeau: Marie-Louise Hendrickx&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Estramadon: Marcel Vercammen&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Matchmaker: Rita Lafaut&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Bellman: Marcel Ost&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Soldier 1: Lode Le Moine&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Soldier 2: Robert van Helvert&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Soubrette: Angèle Geerts&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Yolande: Erika Pauwels&amp;lt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*conductor&lt;/ins&gt;: Frits Celis&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*director&lt;/ins&gt;: Anton van de Velde&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*orchestra &lt;/ins&gt;of the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''Royal &lt;/ins&gt;Flemish Opera&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot; &gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 52:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Thematic &lt;/del&gt;Catalogue Victor Legley]][[Category:1959/en]][[Category:1960/en]][[Category:1961/en]][[Category:1962/en]][[Category:1963/en]][[Category:Orchestral music]][[Category:Music for symphony orchestra]][[Category:Vocal music]][[Category:Operas]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Oeuvre &lt;/ins&gt;Catalogue Victor Legley]][[Category:1959/en]][[Category:1960/en]][[Category:1961/en]][[Category:1962/en]][[Category:1963/en]][[Category:Orchestral music]][[Category:Music for symphony orchestra]][[Category:Vocal music]][[Category:Operas]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.muziekcollecties.be/index.php?title=La_farce_des_deux_nues/en&amp;diff=3483&amp;oldid=prev</id>
		<title>Koenraad at 11:56, 16 December 2017</title>
		<link rel="alternate" type="text/html" href="http://wiki.muziekcollecties.be/index.php?title=La_farce_des_deux_nues/en&amp;diff=3483&amp;oldid=prev"/>
		<updated>2017-12-16T11:56:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 11:56, 16 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l33&quot; &gt;Line 33:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 33:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;score&lt;/del&gt;: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28174 '''BV-03-4031''']&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28174 '''BV-03-4031''']&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*photocopy of the autograph piano reduction: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=78717 '''BV-03-4122''']. Several cuts have been indicated, possibly by Legley himself.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*photocopy of the autograph piano reduction: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=78717 '''BV-03-4122''']. Several cuts have been indicated, possibly by Legley himself.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.muziekcollecties.be/index.php?title=La_farce_des_deux_nues/en&amp;diff=3480&amp;oldid=prev</id>
		<title>Koenraad: Created page with &quot;''De cluyte van de twee naakten of de mooie onbekende''&lt;ref&gt;''The comedy of the two nudes or the unknown beauty''.&lt;/ref&gt;  ''opera in 4 acts''  Opus 59  == History == *Opera on...&quot;</title>
		<link rel="alternate" type="text/html" href="http://wiki.muziekcollecties.be/index.php?title=La_farce_des_deux_nues/en&amp;diff=3480&amp;oldid=prev"/>
		<updated>2017-12-16T11:36:15Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;De cluyte van de twee naakten of de mooie onbekende&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;The comedy of the two nudes or the unknown beauty&amp;#039;&amp;#039;.&amp;lt;/ref&amp;gt;  &amp;#039;&amp;#039;opera in 4 acts&amp;#039;&amp;#039;  Opus 59  == History == *Opera on...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;''De cluyte van de twee naakten of de mooie onbekende''&amp;lt;ref&amp;gt;''The comedy of the two nudes or the unknown beauty''.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
''opera in 4 acts''&lt;br /&gt;
&lt;br /&gt;
Opus 59&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
*Opera on a libretto by [https://fr.wikipedia.org/wiki/Herman_Closson Herman Closson]. [https://nl.wikipedia.org/wiki/Anton_van_de_Velde Anton van de Velde] translated the opera into Dutch.&amp;lt;ref name=&amp;quot;een&amp;quot;&amp;gt;[[Tessely/en|Tessely]], p.121.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*Legley worked on his opera from 1959 to September 1963.&lt;br /&gt;
*The beginning of the fourth act was reused by Legley as a [[Jingle (3rd programme)|jingle]] for the Belgian radio.&amp;lt;ref&amp;gt;On p.358 of the autograph, Legley wrote down: ''Het begin van deze 4e acte is het indicatief van het IIIe programma'' [The beginning of this 4th act is the jingle of the IIIrd programme]]. More details are to be found at the description of [[Jingle (3rd programme)]].&amp;lt;/ref&amp;gt;&lt;br /&gt;
*The first performance (in Dutch) took place on 10 December 1966 in the Royal Flemish Opera in Antwerp.&amp;lt;ref name=&amp;quot;een&amp;quot;/&amp;gt;&amp;lt;ref&amp;gt;[[De Roeck/en|De Roeck]] (p.400) mentions the first performers:&amp;lt;br/&amp;gt;-Astolphe: Paul Schotsmans&amp;lt;br/&amp;gt;-Baron Gonzague: Armand Reynaerts&amp;lt;br/&amp;gt;-Baroness Ysabeau: Marie-Louise Hendrickx&amp;lt;br/&amp;gt;-Estramadon: Marcel Vercammen&amp;lt;br/&amp;gt;-Matchmaker: Rita Lafaut&amp;lt;br/&amp;gt;-Bellman: Marcel Ost&amp;lt;br/&amp;gt;-Soldier 1: Lode Le Moine&amp;lt;br/&amp;gt;-Soldier 2: Robert van Helvert&amp;lt;br/&amp;gt;-Soubrette: Angèle Geerts&amp;lt;br/&amp;gt;-Yolande: Erika Pauwels&amp;lt;br/&amp;gt;-Conductor: Frits Celis&amp;lt;br/&amp;gt;-Director: Anton van de Velde&amp;lt;br/&amp;gt;-Orchestra of the Flemish Opera.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
*cast:&lt;br /&gt;
**Astolphe&lt;br /&gt;
**Baron Gonzague&lt;br /&gt;
**Baroness Ysabeau&lt;br /&gt;
**Estramadon&lt;br /&gt;
**Matchmaker&lt;br /&gt;
**Bellman&lt;br /&gt;
**Soldier 1&lt;br /&gt;
**Soldier 2&lt;br /&gt;
**Soubrette&lt;br /&gt;
**Yolande&lt;br /&gt;
**symphony orchestra&amp;lt;ref&amp;gt;2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, percussion and strings.&amp;lt;/ref&amp;gt;&lt;br /&gt;
*duration: 1°17'15&amp;quot;&amp;lt;ref&amp;gt;Thus in the autograph score.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Parts===&lt;br /&gt;
*First act[[Image:Legley_59-1.jpg|frameless|none|850px]]&lt;br /&gt;
*Second act[[Image:Legley_59-2.jpg|frameless|none|850px]]&lt;br /&gt;
*Third act[[Image:Legley_59-3.jpg|frameless|none|850px]]&lt;br /&gt;
*Fourth act[[Image:Legley_59-4.jpg|frameless|none|850px]]&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
*autograph score: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=28174 '''BV-03-4031''']&lt;br /&gt;
*photocopy of the autograph piano reduction: '''Royal Conservatory Brussels''' ''(B-Bc)'', shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=78717 '''BV-03-4122''']. Several cuts have been indicated, possibly by Legley himself.&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Thematic Catalogue Victor Legley]][[Category:1959/en]][[Category:1960/en]][[Category:1961/en]][[Category:1962/en]][[Category:1963/en]][[Category:Orchestral music]][[Category:Music for symphony orchestra]][[Category:Vocal music]][[Category:Operas]]&lt;/div&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
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