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	<title>5 Mélodies françaises/en - Revision history</title>
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	<updated>2026-10-28T23:21:45Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>Koenraad at 18:43, 8 September 2021</title>
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		<updated>2021-09-08T18:43:30Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:43, 8 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The cycle was composed in the years 1943-44 in Brussels (see below for details).&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The cycle was composed in the years 1943-44 in Brussels (see below for details).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In April 1945, Legley added the song [[La Lettre/en|La Lettre]] to the cycle and he changed the title to &amp;#039;&amp;#039;6 Mélodies françaises&amp;#039;&amp;#039;, in the first edition of 1962 however, the song is left out.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*In April 1945, Legley added the song [[La Lettre/en|La Lettre]] to the cycle and he changed the title to &amp;#039;&amp;#039;6 Mélodies françaises&amp;#039;&amp;#039;, in the first edition of 1962 however, the song is left out.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*On 29 May 1945, the work was first performed by alto Yetty Martens and pianist Frieda Pey in auditory Akarova in Brussel (without the song &amp;#039;&amp;#039;[[La Lettre/en|La Lettre]]&amp;#039;&amp;#039;).&amp;lt;ref&amp;gt;C.M.: &amp;#039;&amp;#039;Jonge Vlaamsche Muziek&amp;#039;&amp;#039; in &amp;#039;&amp;#039;De Nieuwe Standaard&amp;#039;&amp;#039; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;on &lt;/del&gt;8 June 1945.&amp;lt;/ref&amp;gt; On this day, Legley dedicated the work to Yetty Martens.&amp;lt;ref&amp;gt;See autograph.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*On 29 May 1945, the work was first performed by alto Yetty Martens and pianist Frieda Pey in auditory &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;&lt;/ins&gt;Akarova&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;in Brussel (without the song &amp;#039;&amp;#039;[[La Lettre/en|La Lettre]]&amp;#039;&amp;#039;).&amp;lt;ref&amp;gt;C.M.: &amp;#039;&amp;#039;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Muziekkroniek - &lt;/ins&gt;Jonge Vlaamsche Muziek&amp;#039;&amp;#039; in &amp;#039;&amp;#039;De Nieuwe Standaard&amp;#039;&amp;#039; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;of &lt;/ins&gt;8 June 1945&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, p.2. P.T.: &amp;#039;&amp;#039;Petite Chronique Musicale&amp;#039;&amp;#039; in &amp;#039;&amp;#039;Le Soir&amp;#039;&amp;#039; of 14 June 1945, p.2&lt;/ins&gt;.&amp;lt;/ref&amp;gt; On this day, Legley dedicated the work to Yetty Martens.&amp;lt;ref&amp;gt;See autograph.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Music ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*I. Odelette&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*I. Odelette&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**text incipit: &amp;#039;&amp;#039;&amp;#039;Si j&amp;#039;ai parlé de mon amour&amp;#039;&amp;#039;&amp;#039; (Henri de Régnier)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**text incipit: &amp;#039;&amp;#039;&amp;#039;Si j&amp;#039;ai parlé de mon amour&amp;#039;&amp;#039;&amp;#039; (Henri de Régnier)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**finished on 9 December 1943&amp;lt;ref&amp;gt;[[Tessely]] (p.137) and [[De Roeck]] (p.271) give 2 February 1944, which is contradicted by the autograph.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**finished on 9 December 1943&amp;lt;ref&amp;gt;[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Tessely/en|&lt;/ins&gt;Tessely]] (p.137) and [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;De Roeck/en|&lt;/ins&gt;De Roeck]] (p.271) give 2 February 1944, which is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;however &lt;/ins&gt;contradicted by the autograph.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**tempo: Moderato&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**tempo: Moderato&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &amp;#039;&amp;#039;&amp;#039;2/4&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;**time signature: &amp;#039;&amp;#039;&amp;#039;2/4&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l45&quot; &gt;Line 45:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 45:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sources==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Sources==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph: &amp;#039;&amp;#039;&amp;#039;Royal Conservatory Brussels&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(B-Bc)&amp;#039;&amp;#039;, shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;120020 &lt;/del&gt;&amp;#039;&amp;#039;&amp;#039;P-2-00902&amp;#039;&amp;#039;&amp;#039;]. The alto line of this is annotated in grey and red pencil and was probably used for the first performance. This manuscript contains [[La Lettre/en|La Lettre]] as well.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*autograph: &amp;#039;&amp;#039;&amp;#039;Royal Conservatory Brussels&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(B-Bc)&amp;#039;&amp;#039;, shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;66947 &lt;/ins&gt;&amp;#039;&amp;#039;&amp;#039;P-2-00902&amp;#039;&amp;#039;&amp;#039;]. The alto line of this &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;score &lt;/ins&gt;is annotated in grey and red pencil and was probably used for the first performance. This manuscript contains [[La Lettre/en|La Lettre]] as well.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*first edition: &amp;#039;&amp;#039;&amp;#039;CeBeDeM&amp;#039;&amp;#039;&amp;#039;, Brussels, &amp;#039;&amp;#039;&amp;#039;1962&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*first edition: &amp;#039;&amp;#039;&amp;#039;CeBeDeM&amp;#039;&amp;#039;&amp;#039;, Brussels, &amp;#039;&amp;#039;&amp;#039;1962&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Thematic &lt;/del&gt;Catalogue Victor Legley|Mélodies françaises]][[Category:1943/en|Mélodies françaises]][[Category:1944/en|Mélodies françaises]][[Category:Vocal music|Mélodies françaises]][[Category:Music for voice and piano|Mélodies françaises]][[Category:Music for piano|Mélodies françaises]][[Category:Songs|Mélodies françaises]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Oeuvre &lt;/ins&gt;Catalogue Victor Legley|Mélodies françaises]][[Category:1943/en|Mélodies françaises]][[Category:1944/en|Mélodies françaises]][[Category:Vocal music|Mélodies françaises]][[Category:Music for voice and piano|Mélodies françaises]][[Category:Music for piano|Mélodies françaises]][[Category:Songs|Mélodies françaises]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
	<entry>
		<id>http://wiki.muziekcollecties.be/index.php?title=5_M%C3%A9lodies_fran%C3%A7aises/en&amp;diff=3201&amp;oldid=prev</id>
		<title>Koenraad: Created page with &quot;&#039;&#039;dedicated to Yetty Martens&#039;&#039;  Opus 15  == History == *Song cycle on texts by [https://en.wikipedia.org/wiki/Henri_de_R%C3%A9gnier Henri de Régnier], [https://en.wikipedia.o...&quot;</title>
		<link rel="alternate" type="text/html" href="http://wiki.muziekcollecties.be/index.php?title=5_M%C3%A9lodies_fran%C3%A7aises/en&amp;diff=3201&amp;oldid=prev"/>
		<updated>2016-09-30T10:03:00Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;dedicated to Yetty Martens&amp;#039;&amp;#039;  Opus 15  == History == *Song cycle on texts by [https://en.wikipedia.org/wiki/Henri_de_R%C3%A9gnier Henri de Régnier], [https://en.wikipedia.o...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;dedicated to Yetty Martens&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Opus 15&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
*Song cycle on texts by [https://en.wikipedia.org/wiki/Henri_de_R%C3%A9gnier Henri de Régnier], [https://en.wikipedia.org/wiki/Ryuko_Kawaji Ryuko Kawaji], [https://en.wikipedia.org/wiki/Charles_van_Lerberghe Charles Van Lerberghe], René Bizet and [https://de.wikipedia.org/wiki/Andr%C3%A9_Germain André Germain].&lt;br /&gt;
*The cycle was composed in the years 1943-44 in Brussels (see below for details).&lt;br /&gt;
*In April 1945, Legley added the song [[La Lettre/en|La Lettre]] to the cycle and he changed the title to &amp;#039;&amp;#039;6 Mélodies françaises&amp;#039;&amp;#039;, in the first edition of 1962 however, the song is left out.&lt;br /&gt;
*On 29 May 1945, the work was first performed by alto Yetty Martens and pianist Frieda Pey in auditory Akarova in Brussel (without the song &amp;#039;&amp;#039;[[La Lettre/en|La Lettre]]&amp;#039;&amp;#039;).&amp;lt;ref&amp;gt;C.M.: &amp;#039;&amp;#039;Jonge Vlaamsche Muziek&amp;#039;&amp;#039; in &amp;#039;&amp;#039;De Nieuwe Standaard&amp;#039;&amp;#039; on 8 June 1945.&amp;lt;/ref&amp;gt; On this day, Legley dedicated the work to Yetty Martens.&amp;lt;ref&amp;gt;See autograph.&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
*instrumentation: alto and piano&lt;br /&gt;
*duration: ca 10&amp;#039;&lt;br /&gt;
&lt;br /&gt;
===Parts===&lt;br /&gt;
*I. Odelette&lt;br /&gt;
**text incipit: &amp;#039;&amp;#039;&amp;#039;Si j&amp;#039;ai parlé de mon amour&amp;#039;&amp;#039;&amp;#039; (Henri de Régnier)&lt;br /&gt;
**finished on 9 December 1943&amp;lt;ref&amp;gt;[[Tessely]] (p.137) and [[De Roeck]] (p.271) give 2 February 1944, which is contradicted by the autograph.&amp;lt;/ref&amp;gt;&lt;br /&gt;
**tempo: Moderato&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;2/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
**duration: ca 1&amp;#039;30&amp;quot;&lt;br /&gt;
*II. La mort&lt;br /&gt;
**text incipit:  &amp;#039;&amp;#039;&amp;#039;Si la mort vient ici&amp;#039;&amp;#039;&amp;#039; (Ryuko Kawaji)&lt;br /&gt;
**finished on 2 February 1944&lt;br /&gt;
**tempo: Moderato&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;4/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
**duration: ca 2&amp;#039;&lt;br /&gt;
*III. Barques d&amp;#039;or&lt;br /&gt;
**text incipit: &amp;#039;&amp;#039;&amp;#039;Dans une barque d&amp;#039;Orient&amp;#039;&amp;#039;&amp;#039; (Charles Van Lerberghe)&lt;br /&gt;
**finished on 20 April 1944&lt;br /&gt;
**tempo: Andantino (autograph) or Andante (first edition)&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;3/4&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
**duration: ca 2&amp;#039;30&amp;quot;&lt;br /&gt;
*IV. Faubourg gitane&lt;br /&gt;
**text incipit:  &amp;#039;&amp;#039;&amp;#039;L&amp;#039;indolence des gitanes&amp;#039;&amp;#039;&amp;#039; (René Bizet)&lt;br /&gt;
**finished on 14 May 1944&lt;br /&gt;
**tempo: Andante moderato&lt;br /&gt;
**time signature: &amp;#039;&amp;#039;&amp;#039;5/8&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
**duration: ca 2&amp;#039;30&amp;quot;&lt;br /&gt;
*V. Le voyageur&lt;br /&gt;
**text incipit: &amp;#039;&amp;#039;&amp;#039;Où t&amp;#039;en vas-tu dans le soir&amp;#039;&amp;#039;&amp;#039; (André Germain)&lt;br /&gt;
**finished on 15 May 1944&lt;br /&gt;
**tempo: Lent et triste&lt;br /&gt;
**duration: ca 1&amp;#039;30&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Sources==&lt;br /&gt;
*autograph: &amp;#039;&amp;#039;&amp;#039;Royal Conservatory Brussels&amp;#039;&amp;#039;&amp;#039; &amp;#039;&amp;#039;(B-Bc)&amp;#039;&amp;#039;, shelf number [http://catalog.b-bc.org/cgi-bin/koha/opac-detail.pl?biblionumber=120020 &amp;#039;&amp;#039;&amp;#039;P-2-00902&amp;#039;&amp;#039;&amp;#039;]. The alto line of this is annotated in grey and red pencil and was probably used for the first performance. This manuscript contains [[La Lettre/en|La Lettre]] as well.&lt;br /&gt;
*first edition: &amp;#039;&amp;#039;&amp;#039;CeBeDeM&amp;#039;&amp;#039;&amp;#039;, Brussels, &amp;#039;&amp;#039;&amp;#039;1962&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
==Notes==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Thematic Catalogue Victor Legley|Mélodies françaises]][[Category:1943/en|Mélodies françaises]][[Category:1944/en|Mélodies françaises]][[Category:Vocal music|Mélodies françaises]][[Category:Music for voice and piano|Mélodies françaises]][[Category:Music for piano|Mélodies françaises]][[Category:Songs|Mélodies françaises]]&lt;/div&gt;</summary>
		<author><name>Koenraad</name></author>
		
	</entry>
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