Difference between revisions of "Höflich 2564"
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===Specific comments=== | ===Specific comments=== | ||
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| − | | melody instruments (piccolo etc.): the quaver rest on beat 2 has only 1 dot in '''A''', double dotted in '''B''' | + | | melody instruments (piccolo etc.): the quaver rest on beat 2 has only 1 dot in '''A''', double dotted in '''B'''; horns: decrescendo not in '''B''' |
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| 2 | | 2 | ||
| − | | viola: first accent only in '''B''' | + | | horns 1&2: decrescendo not in '''B'''; viola: first accent only in '''B''' |
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| 2-3 | | 2-3 | ||
| gong: accents only in '''B''' | | gong: accents only in '''B''' | ||
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| + | | 3 | ||
| + | | horns 1&2: decrescendo not in '''B'''; cymbals: in '''B''' crescendo from ''f'' to ''ff'' | ||
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| 4 | | 4 | ||
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| 5 | | 5 | ||
| timpani: rests on beat 1 in '''A''' notated as dotted quaver rest | | timpani: rests on beat 1 in '''A''' notated as dotted quaver rest | ||
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| + | | 7 | ||
| + | | bass clarinet, cello, double bass: in '''B''' the word ''sempre'' is missing | ||
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| 9 | | 9 | ||
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| 10-12 | | 10-12 | ||
| timpani: in '''A''', notated an octave above with ''8va bassa'' | | timpani: in '''A''', notated an octave above with ''8va bassa'' | ||
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| + | | 12 | ||
| + | | horns: ''f'' added | ||
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| − | | timpani: ''ff'' added; horns: additional ''ff'' in '''A''' omitted in our edition | + | | timpani: ''ff'' added; horns: additional ''ff'' in '''A''' omitted in our edition, no accents in '''B''' |
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| horn 3: no tie between both e's in '''A''' (horns 1 and 3 are notated on different staves in '''A''') | | horn 3: no tie between both e's in '''A''' (horns 1 and 3 are notated on different staves in '''A''') | ||
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Revision as of 15:49, 28 January 2021
Sources
| Name | Description | Edition/Location |
|---|---|---|
| A | first edition | CeBeDeM, Brussels, 1960 |
| B | printed parts | Koninklijk Conservatorium Brussel (B-Bc), shelf number CBD-B-0455-0456-(03169) |
The autograph could not be found. Both A and B seem to have been copied from the autograph independently, since B contains many details lacking in A. A has been used as main source.
Critical comments
General remarks
Specific comments
| Bar | Comment |
|---|---|
| 1 | melody instruments (piccolo etc.): the quaver rest on beat 2 has only 1 dot in A, double dotted in B; horns: decrescendo not in B |
| 1-3 | violin 1: in both sources, the first two and a halve bars are notated an octave higher without 8va; viola: in both sources, the first two bars and a halve are notated in alto clef |
| 2 | horns 1&2: decrescendo not in B; viola: first accent only in B |
| 2-3 | gong: accents only in B |
| 3 | horns 1&2: decrescendo not in B; cymbals: in B crescendo from f to ff |
| 4 | oboe: second slur only in B |
| 5 | timpani: rests on beat 1 in A notated as dotted quaver rest |
| 7 | bass clarinet, cello, double bass: in B the word sempre is missing |
| 9 | brass, except horns: accents on beat 2 added |
| 10-12 | timpani: in A, notated an octave above with 8va bassa |
| 12 | horns: f added |
| 12-13 | tutti, except percussion: some accents missing in A have been added |
| 13 | timpani: ff added; horns: additional ff in A omitted in our edition, no accents in B |
| 17 | violin 1: unis. added |
| 20 | high woodwinds: some accents missing in A have been added |
| 22 | bassoons, brass: some staccato dots missing in A have been added; bass drum: in B with staccato dots |
| 24 | trombone 3, tuba, cello, double bass: some staccato dots missing in A have been added |
| 26 | cor anglais: last note in both sources is a c, which is not logical, since cor anglais and trumpet 1&3 are playing unisons in bars 25-26, likely the c is a transposition error |
| 27 | trombone 1: ♮ added to the note of beat 3, missing in A and in B, compare to horns 2+4 |
| 27-28 | trombone 3, tuba: last 3 staccato dots of bar 27, first one of bar 28 not in A, added according to B |
| 28 | bassoons: beat 3 in A and B without staccato dot; horns 3&4: beat 3 in A erroneously with staccato dot |
| 29 | trumpets 2&3: in A without accents, added according to B |
| 31 | clarinets: a 2 not between brackets in A; bassoons: in A and B, first note of beat 3 still in bass clef |
| 31-32 | bass clarinet: in A and B, first note of beat 3 in bar 31 still in bass clef, the following 3 notes and next bar in tenor clef |
| 32 | bass clarinet, trombones, tuba: in A, no accent on beat 1, added according to B |
| 34 | cello, double bass: last note of the bar ♭ in A, in our edition ♮ as in B and in bar 33 |
| 36 | flute 1: (I) added for clarity |
| 39 | bassoons: p not in A, added according to B; violin 2: in A a superfluous p on beat 4 |
| 42 | cello: first slur not in A, added according to B |
| 43 | flutes, oboes, bassoons: cresc. molto in A and B on beat 2 |
| 43-46 | in A, the word molto from cresc. molto only on beat 1 in bar 46 |
| 44 | clarinets: a 2 added; bassoons: ♮ before note 2 between brackets in A; double bassoon: cresc. molto not in A, added according to B, ♮ before note 2 added |
| 45 | piccolo: in A, cresc. molto starts at the end of beat 2, in our edition as in B and in violin 1 part; cello, double bass: cresc. not in A, added according to B |
| 47 | horns 1&2: f in A on beat 2 instead of beat 1; horns3&4, trumpets, violins, viola: f on beat 1 not in A, added according to B; trombones 1&2, cello: tenor clef in A 1 note later; trombone 3, tuba: last 2 semiquavers with accent in A, in B without; viola: last semiquaver with accent in A, in B all semiquavers accentuated; cello: last semiquaver with accent in A, in B the third and fourth semiquavers are accentuated; double bass: in A the third and fourth semiquavers not accentuated, in B with accent |
| 47-48 | placing of con fuoco e sempre più cresc. in our edition differs from A and B:
|
| 48 | horns 3&4, cello: first note in A without accent, with accent in B; trombones, tuba: first note without accent in A and B |
| 48-49 | horns: last 2 notes in bar 48 and all notes in bar 49 without accents in A, added according to B |
| 49 | snare drum: first note in A erroneously with 2 accents; viola, cello, double bass: no accents in A, added according to B |
| 50 | timpani: first 3 notes beamed in A and B, in our edition as in bassoons, double bassoon, viola, cello and double bass |
| 56 | horn 4: ♮ added |
| 58 | viola: in A without arco, added according to B |
| 59 | trombones: dim. in A a little later than the first beat |
| 60-61 | horns 2&4: in A without tie, added according to B |
| 62-63 | piccolo: in A without diminuendo, added according to B; flutes: in A diminuendo twice, one in bar 62 and one in bar 63; oboe 2: diminuendo in A only in bar 62; clarinets: in A diminuendo only in bar 62, added according to B |
| 66-67 | horns 1&2: apart from the word dim. in bar 66, no diminuendo in bar 66 in A, and not under the first and last note of bar 67, diminuendo in our edition as in B; horns 3&4: apart from the word dim. in bar 66, no diminuendo in A, diminuendo in our edition as in B |
| 67 | horns 1&2: in A a superfluous tenuto mark above the first note |
| 68 | horns: pp added according to B |
| 69 | violin 2: ♮ added before d |
| 71 | horns 1&3: second note in A erroneously prolonged by a dot |
| 72 | horns: without diminuendo in A, added according to B |
| 76 | cello, double bass: arco forgotten in A, added according to B |
| 79 | trombone 3: in A without tenuto mark and notated on a separate stave, tenuto not forgotten in B |
| 81 | oboes, trumpets: in A a superfluous marcato here (already written in bar 80) |
| 86 | tempo indication in A is un poco piu e senza rigore nel t°, vivo added according to B and bar 91 |
| 89ff | viola, cello: each of the divisi parts has separate stems in A |
| 95 | strings: in A: tutti: mp [crescendo] fp, in B and in our edition added to all string parts |
| 99 | piccolo: ♭ added before second a |
| 104 | piccolo: first note in A without ♭, added according to B |
| 106 | flutes: a 2 not in A, but justified by B |
| 107 | tempo indication in A: tempo 1°; cello, double bass: f added editorially |
| 107-111 | all accompanying parts: in A and B without staccato dots on quavers, but see bars 20-24 |
| 111 | trombones 1&2: ff not in A, added according to B; bass drum: crescendo and ff added editorially |
| 116 | bassoons: first chord in A without ♯ and ♭, added according to B; horn 4: first note in A without ♭, added according to B |
| 117 | bassoons: in A superfluous ♭ before both d's on beat 3, omitted |
| 117-118 | trombones 1+2: in A erroneously alto clef instead of tenor clef |
| 118 | timpani: ♭ added editorially |
| 119 | trombone 3, tuba: without accent in A, added according to B |
| 121 | bass line: in A, a few accents and staccato dots are missing, added according to B; trumpets: without f in A, added according to B |
| 122 | bass clarinet: f added editorially; violin 2: in A div. in 2 |
| 123 | bassoons: a 2 not in A, but justified by B; trumpet 3: in A superfluous ♮ before first note, omitted; snare drum: staccato dot on first note added editorially |
| 131ff | strings: the crotchets of the fugato theme without staccato, unlike the winds |
| 132 | violin 2: second accent not in A, added according to B |
| 133 | violin 2: first accent not in A, added according to B |
| 134 | violin 2: accents on beat 4 added editorially |
| 136 | violin 1: first note erroneously with staccato dot in A and B, omitted |
| 139 | oboes, cor anglais: beat 4 erroneously with staccato dots in A, omitted according to B |
| 143 | clarinets: first accent added editorially |
| 145 | bass clarinet, bassoons, double bassoons: beat 4 in A, d♯ (bass clarinet: e♯), in B likewise, but corrected in pencil to f♯ (g♯); violin 2, viola, cello: in A eighth semiquaver without ♭, added according to B |
| 147 | flutes, violin 1: in A, tenth semiquaver without ♮, in B likewise, but ♮ added in pencil; horns: first accent added editorially |
| 150 | flutes: last note without accent in A, added according to B |
| 159 | violins, viola: the quaver rest has only 1 dot in A, double dotted in B, see also bar 179 |
| 165 | trombone 1: first ♮ added editorially |
| 170 | horns: in A, crescendo starts only at second half of beat 2, probably due to lacking space, in B erroneously without crescendo |
| 171 | violins, viola: mp not in A, added according to B |
| 173 | clarinet 1, horn 1: dolce added according to B |
| 176 | cello: unis. added according to B; viola: staccato dot added according to B |
| 183 | cello, double bass: arco added according to B |
| 183-184 | strings: without tenuto marks in A and B, unlike woodwinds |
| 184 | horn 4: thus in all sources, the note is probably shortened in order to allow the player to prepare the next bar |
| 192 | bassoons, double bassoon: in A, the first note is a semiquaver, in B a demisemiquaver; double bassoon: slur added according to B; cello, double bass: mp added according to B |
| 193 | bass clarinet: staccato dot added according to B |
| 194 | trumpet 1: in A, notated on a separate stave without f, in B with f; violin 1: second note is a semiquaver in A, in B a semiquaver; viola: last 3 demisemiquavers in A are f♯ f♮ b |
| 199 | trumpets 1&2: a 2 added, justified by B |
| 201 | cello: f added editorially |
| 205 | strings, except double bass: crescendo added according to B; cello: mf added editorially |
| 206 | viola: mf added editorially |
| 207 | horns: mf added editorially |
| 208 | trumpet 3: first note in A is a quaver, rhythm adjusted and rest added according to B |
| 209 | viola: g clef in A before the last note of the bar |
| 211-212 | oboes, clarinets: accents added editorially |
| 221 | clarinet 1: articulation in both sources different from viola in bar 228 |
| 228 | viola: the quaver rest has only 1 dot in A, double dotted in B, articulation in both sources different from clarinet in bar 221 |
| 230 | horn 3: no tie between both e's in A (horns 1 and 3 are notated on different staves in A) |
