Difference between revisions of "Höflich 2564"
From KCB Library Wiki
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==Critical comments== | ==Critical comments== | ||
===General remarks=== | ===General remarks=== | ||
− | + | *abbreviations have been written out | |
− | + | ||
− | + | ||
− | + | ||
− | + | ||
*cautionary accidentals have been added | *cautionary accidentals have been added | ||
− | |||
− | |||
*empty bars are left blank, as in '''A''' | *empty bars are left blank, as in '''A''' | ||
− | *harp: in '''A''' always notated on 2 staves, in our edition sometimes on 1 in order to save space | + | *names of instruments, performance instructions have been translated from French to Italian in our edition, e.g. ''contrabbasso'' and ''secco'' instead of ''contrebasse'' and ''sec'' |
− | * | + | *piccolo and flutes, trombones 1&2 and trombone 3, harp, cello and double bass: in '''A''' always notated on 2 separate staves, in our edition sometimes on 1 in order to save space |
− | + | *spelling mistakes have been corrected tacitly, e.g. ''leggiero'' instead of ''leggero'' | |
− | + | *when 2 instruments on the same stave play in unison and are notated with 1 stem for each instrument, the way of notation has been altered sometimes to one stem for both instruments together and ''a 2'' added without comment | |
− | + | ||
− | + | ||
− | + | ||
===Specific comments=== | ===Specific comments=== | ||
− | |||
− | |||
{| class="wikitable" style="text-align:center" | {| class="wikitable" style="text-align:center" | ||
|- | |- | ||
Line 44: | Line 33: | ||
|- | |- | ||
| 1 | | 1 | ||
− | | melody instruments (piccolo etc.): the quaver rest on beat 2 has only 1 dot in '''A''', double dotted in '''B'''; horns: decrescendo not in '''B''' | + | | melody instruments (piccolo etc.): the quaver rest on beat 2 has only 1 dot in '''A''', double dotted in '''B'''; horns: decrescendo not in '''B'''; horns 3&4: in '''A''' erroneously named ''I IV'' instead of ''III IV'' |
|- | |- | ||
| 1-3 | | 1-3 | ||
Line 74: | Line 63: | ||
|- | |- | ||
| 12 | | 12 | ||
− | | horns: ''f'' | + | | horns: ''f'' only in '''B'''; trombone 1: first crescendo only in '''B''' |
|- | |- | ||
| 12-13 | | 12-13 | ||
Line 101: | Line 90: | ||
|- | |- | ||
| 27 | | 27 | ||
− | | trombone 1: ♮ added to the note of beat 3, missing in | + | | trombone 1: ♮ added to the note of beat 3, missing in both sources, compare to horns 2+4 |
|- | |- | ||
| 27-28 | | 27-28 | ||
− | | trombone 3, tuba: last 3 staccato dots of bar 27, first one of bar 28 | + | | trombone 3, tuba: last 3 staccato dots of bar 27, first one of bar 28 only in '''B''' |
|- | |- | ||
| 28 | | 28 | ||
Line 110: | Line 99: | ||
|- | |- | ||
| 29 | | 29 | ||
− | | trumpets 2&3: | + | | trumpets 2&3: accents only in '''B''' |
|- | |- | ||
| 31 | | 31 | ||
− | | clarinets: ''a 2'' not between brackets in '''A'''; bassoons: in | + | | clarinets: ''a 2'' not between brackets in '''A'''; bassoons: in both sources, first note of beat 3 still in bass clef |
|- | |- | ||
| 31-32 | | 31-32 | ||
− | | bass clarinet: in | + | | bass clarinet: in both sources, first note of beat 3 in bar 31 still in bass clef, the following 3 notes and next bar in tenor clef |
|- | |- | ||
| 32 | | 32 | ||
− | | bass clarinet, trombones, tuba: | + | | bass clarinet, trombones, tuba: accent on beat 1 only in '''B'''; horns: ''dim.'' only in '''B''' |
|- | |- | ||
| 34 | | 34 | ||
Line 125: | Line 114: | ||
|- | |- | ||
| 35 | | 35 | ||
− | | horns, trumpets: staccato dots | + | | horns, trumpets: staccato dots only in '''B''' |
|- | |- | ||
| 36, 39 | | 36, 39 | ||
Line 131: | Line 120: | ||
|- | |- | ||
| 39 | | 39 | ||
− | | bassoons, viola, cello, double bass: ''p'' | + | | bassoons, viola, cello, double bass: ''p'' only in '''B'''; violin 2: in '''A''' a superfluous ''p'' on beat 4 |
|- | |- | ||
| 42 | | 42 | ||
− | | viola: ♮ on beat 2 | + | | viola: ♮ on beat 2 only in '''B'''; cello: first slur only in '''B''' |
|- | |- | ||
| 43 | | 43 | ||
− | | flutes, oboes, bassoons: ''cresc. molto'' in | + | | flutes, oboes, bassoons: ''cresc. molto'' in both sources on beat 2 |
|- | |- | ||
| 43-46 | | 43-46 | ||
− | | in '''A''', the word ''molto'' from ''cresc. molto'' | + | | in '''A''', the word ''molto'' from ''cresc. molto'' on beat 1 in bar 46 |
|- | |- | ||
| 44 | | 44 | ||
− | | clarinets: ''a 2'' added; bassoons: ♮ before note 2 between brackets in '''A'''; double bassoon: ''cresc. molto'' | + | | clarinets: ''a 2'' added editorially; bassoons: ♮ before note 2 between brackets in '''A'''; double bassoon: ''cresc. molto'' only in '''B''', ♮ before note 2 added |
|- | |- | ||
| 45 | | 45 | ||
− | | piccolo: in '''A''', ''cresc. molto'' starts at the end of beat 2, in our edition as in '''B''' and in violin 1 part; cello, double bass: ''cresc.'' | + | | piccolo: in '''A''', ''cresc. molto'' starts at the end of beat 2, in our edition as in '''B''' and in violin 1 part; cello, double bass: ''cresc.'' only in '''B''' |
|- | |- | ||
| 47 | | 47 | ||
− | | horns 1&2: ''f'' in '''A''' on beat 2 instead of beat 1; horns3&4, trumpets, violins, viola: ''f'' on beat 1 | + | | horns 1&2: ''f'' in '''A''' on beat 2 instead of beat 1; horns3&4, trumpets, violins, viola: ''f'' on beat 1 only in '''B'''; trombones 1&2, cello: tenor clef in '''A''' 1 note later; trombone 3, tuba: last 2 semiquavers with accent in '''A''', without in '''B'''; viola: last semiquaver with accent in '''A''', in '''B''' all semiquavers accentuated; cello: last semiquaver with accent in '''A''', in '''B''' the third and fourth semiquavers are accentuated; double bass: in '''A''' the third and fourth semiquavers not accentuated, in '''B''' with accent |
|- | |- | ||
| 47-48 | | 47-48 | ||
Line 157: | Line 146: | ||
*horns: in '''A''' ''tutti: con fuoco e sempre più cresc.'' written in empty trumpet bars, in '''B''' as in our edition | *horns: in '''A''' ''tutti: con fuoco e sempre più cresc.'' written in empty trumpet bars, in '''B''' as in our edition | ||
*trombones 1&2: lacking in '''A''', in '''B''' only ''con fuoco'' | *trombones 1&2: lacking in '''A''', in '''B''' only ''con fuoco'' | ||
− | *trombone 3, tuba: in | + | *trombone 3, tuba: in both sources only ''con fuoco'' |
*strings: in '''A''' ''tutti: con fuoco e sempre più cresc.'' written between snare drum and violin 1 staves, in '''B''' as in our edition in violin and viola parts, missing in cello and double bass parts | *strings: in '''A''' ''tutti: con fuoco e sempre più cresc.'' written between snare drum and violin 1 staves, in '''B''' as in our edition in violin and viola parts, missing in cello and double bass parts | ||
|- | |- | ||
| 48 | | 48 | ||
− | | horns 3&4, cello: first note in '''A''' without accent, with accent in '''B'''; trombones, tuba: first note without accent in | + | | horns 3&4, cello: first note in '''A''' without accent, with accent in '''B'''; trombones, tuba: first note without accent in both sources |
|- | |- | ||
| 48-49 | | 48-49 | ||
− | | horns: last 2 notes in bar 48 and all notes in bar 49 | + | | horns: last 2 notes in bar 48 and all notes in bar 49: accents only in '''B'''; snare drum: ''più cresc.'' only in '''B''' |
|- | |- | ||
| 49 | | 49 | ||
− | | snare drum: first note in '''A''' erroneously with 2 accents; timpani: ''più cresc.'' | + | | snare drum: first note in '''A''' erroneously with 2 accents; timpani: ''più cresc.'' only in '''B'''; viola, cello, double bass: accents only in '''B''' |
|- | |- | ||
| 50 | | 50 | ||
− | | timpani: first 3 notes beamed in | + | | timpani: first 3 notes beamed in both sources, in our edition as in bassoons, double bassoon, viola, cello and double bass |
|- | |- | ||
| 52 | | 52 | ||
− | | oboe 1, clarinet 1: ''ff'' | + | | oboe 1, clarinet 1: ''ff'' only in '''B'''; violins, viola: staccato in '''A''' |
|- | |- | ||
| 54 | | 54 | ||
− | | triangle: slur | + | | triangle: slur only in '''B''' |
|- | |- | ||
| 56 | | 56 | ||
Line 182: | Line 171: | ||
|- | |- | ||
| 58 | | 58 | ||
− | | viola: | + | | viola: ''arco'' only in '''B''' |
|- | |- | ||
| 59 | | 59 | ||
Line 188: | Line 177: | ||
|- | |- | ||
| 60-61 | | 60-61 | ||
− | | horns 2&4: | + | | horns 2&4: tie only in '''B''' |
|- | |- | ||
| 62-63 | | 62-63 | ||
− | | piccolo: in | + | | piccolo: diminuendo only in '''B'''; flutes: in '''A''', twice a diminuendo, one in bar 62 and one in bar 63; oboe 2: diminuendo in '''A''' only in bar 62; clarinets: in '''A''' diminuendo only in bar 62, added according to '''B''' |
|- | |- | ||
| 66-67 | | 66-67 | ||
Line 203: | Line 192: | ||
|- | |- | ||
| 68 | | 68 | ||
− | | horns: ''pp'' | + | | horns: ''pp'' only in '''B''' |
|- | |- | ||
| 69 | | 69 | ||
Line 212: | Line 201: | ||
|- | |- | ||
| 72 | | 72 | ||
− | | horns: | + | | horns: diminuendo only in '''B''' |
|- | |- | ||
| 76 | | 76 | ||
− | | cello, double bass: ''arco'' | + | | cello, double bass: ''arco'' only in '''B''' |
|- | |- | ||
| 78 | | 78 | ||
− | | flutes, oboes, cor anglais: ''mp'' | + | | flutes, oboes, cor anglais: ''mp'' only in '''B''' |
|- | |- | ||
| 79 | | 79 | ||
− | | trombone 3: | + | | trombone 3: tenuto only in '''B''' |
|- | |- | ||
| 80, 83 | | 80, 83 | ||
− | | trombone 1, viola: ♮ | + | | trombone 1, viola: ♮ only in '''B''' |
|- | |- | ||
| 81 | | 81 | ||
Line 230: | Line 219: | ||
|- | |- | ||
| 82-85 | | 82-85 | ||
− | | all tenuto marks | + | | all tenuto marks only in '''B''' |
|- | |- | ||
| 86 | | 86 | ||
Line 245: | Line 234: | ||
|- | |- | ||
| 104 | | 104 | ||
− | | piccolo: | + | | piccolo: ♭ before first note only in '''B''' |
|- | |- | ||
| 105 | | 105 | ||
− | | cello: ''unis.'' | + | | cello: ''unis.'' only in '''B''' |
|- | |- | ||
| 106 | | 106 | ||
Line 257: | Line 246: | ||
|- | |- | ||
| 107-108 | | 107-108 | ||
− | | bass drum: staccato dots | + | | bass drum: staccato dots only in '''B''' |
|- | |- | ||
| 107-111 | | 107-111 | ||
− | | all accompanying parts: in | + | | all accompanying parts: in both sources without staccato dots on quavers, but see bars 20-24 |
|- | |- | ||
| 110-111 | | 110-111 | ||
− | | bass drum: staccato dots | + | | bass drum: staccato dots only in '''B''' |
|- | |- | ||
| 111 | | 111 | ||
− | | trombones 1&2: ''ff'' | + | | trombones 1&2: ''ff'' only in '''B'''; bass drum: crescendo and ''ff'' only in '''B''' |
|- | |- | ||
| 116 | | 116 | ||
− | | flutes, oboes: slur added | + | | flutes, oboes: slur added only in '''B'''; bassoons: ♯ and ♭ before first chord only in '''B'''; horn 4: ♭ before first note only in '''B''' |
|- | |- | ||
| 117 | | 117 | ||
Line 281: | Line 270: | ||
|- | |- | ||
| 119 | | 119 | ||
− | | trombone 3, tuba: | + | | trombone 3, tuba: accent only in '''B''' |
|- | |- | ||
| 121 | | 121 | ||
− | | bass line: in '''A''', a few accents and staccato dots are missing, added according to '''B'''; trumpets: | + | | bass line: in '''A''', a few accents and staccato dots are missing, added according to '''B'''; trumpets: ''f'' only in '''B''' |
|- | |- | ||
| 122 | | 122 | ||
Line 293: | Line 282: | ||
|- | |- | ||
| 125 | | 125 | ||
− | | violin 2: ''unis.'' | + | | violin 2: ''unis.'' only in '''B''' |
|- | |- | ||
| 131ff | | 131ff | ||
Line 299: | Line 288: | ||
|- | |- | ||
| 132 | | 132 | ||
− | | violin 2: second accent | + | | violin 2: second accent only in '''B''' |
|- | |- | ||
| 133 | | 133 | ||
− | | violin 2: first accent | + | | violin 2: first accent only in '''B''' |
|- | |- | ||
| 134 | | 134 | ||
Line 308: | Line 297: | ||
|- | |- | ||
| 136 | | 136 | ||
− | | violin 1: first note erroneously with staccato dot in | + | | violin 1: first note erroneously with staccato dot in both sources, omitted |
|- | |- | ||
| 138 | | 138 | ||
− | | violin 2, viola: last ♯ | + | | violin 2, viola: last ♯ only in '''B''' |
|- | |- | ||
| 139 | | 139 | ||
− | | oboes, cor anglais: beat 4 erroneously with staccato dots in '''A''', | + | | oboes, cor anglais: beat 4 erroneously with staccato dots in '''A''', without in '''B''' |
|- | |- | ||
| 142 | | 142 | ||
− | | cymbals: ''mp'' | + | | cymbals: ''mp'' only in '''B''' |
|- | |- | ||
| 143 | | 143 | ||
Line 323: | Line 312: | ||
|- | |- | ||
| 145 | | 145 | ||
− | | bass clarinet, bassoons, double bassoons: beat 4 in '''A''', d♯ (bass clarinet: e♯), in '''B''' likewise, but corrected in pencil to f♯ (g♯); violin 2, viola, cello: | + | | bass clarinet, bassoons, double bassoons: beat 4 in '''A''', d♯ (bass clarinet: e♯), in '''B''' likewise, but corrected in pencil to f♯ (g♯); violin 2, viola, cello: ♭ before eighth semiquaver only in '''B''' |
|- | |- | ||
| 147 | | 147 | ||
Line 329: | Line 318: | ||
|- | |- | ||
| 150 | | 150 | ||
− | | flutes: last note | + | | flutes: accent on last note only in '''B''' |
|- | |- | ||
| 154-155 | | 154-155 | ||
Line 338: | Line 327: | ||
|- | |- | ||
| 160 | | 160 | ||
− | | trombone 1: ''p dolce'' | + | | trombone 1: ''p dolce'' only in '''B''' |
|- | |- | ||
| 162 | | 162 | ||
− | | horns 1&3: ''p'' | + | | horns 1&3: ''p'' only in '''B''' |
|- | |- | ||
| 165 | | 165 | ||
Line 350: | Line 339: | ||
|- | |- | ||
| 171 | | 171 | ||
− | | violins, viola: ''mp'' | + | | violins, viola: ''mp'' only in '''B''' |
|- | |- | ||
| 173 | | 173 | ||
− | | clarinet 1, horn 1: ''dolce'' | + | | clarinet 1, horn 1: ''dolce'' only in '''B''' |
|- | |- | ||
| 176 | | 176 | ||
− | | cello: ''unis.'' | + | | cello: ''unis.'' only in '''B'''; viola: staccato dot only in '''B''' |
|- | |- | ||
| 177 | | 177 | ||
Line 362: | Line 351: | ||
|- | |- | ||
| 183 | | 183 | ||
− | | cello, double bass: ''arco'' | + | | cello, double bass: ''arco'' only in '''B''' |
|- | |- | ||
| 183-184 | | 183-184 | ||
− | | strings: without tenuto marks in | + | | strings: without tenuto marks in both sources, unlike woodwinds |
|- | |- | ||
| 184 | | 184 | ||
Line 371: | Line 360: | ||
|- | |- | ||
| 192 | | 192 | ||
− | | bassoons, double bassoon: in '''A''', the first note is a semiquaver, in '''B''' a demisemiquaver; double bassoon: slur | + | | bassoons, double bassoon: in '''A''', the first note is a semiquaver, in '''B''' a demisemiquaver; double bassoon: slur only in '''B'''; cello, double bass: ''mp'' only in '''B''' |
|- | |- | ||
| 193 | | 193 | ||
− | | bass clarinet: staccato dot | + | | bass clarinet: staccato dot only in '''B''' |
|- | |- | ||
| 194 | | 194 | ||
− | | trumpet 1: in '''A''', notated on a separate stave without ''f'', in '''B''' with ''f''; violin 1: second note is a semiquaver in '''A''', in '''B''' a | + | | trumpet 1: in '''A''', notated on a separate stave without ''f'', in '''B''' with ''f''; violin 1: second note is a semiquaver in '''A''', in '''B''' a demisemiquaver; viola: last 3 demisemiquavers in '''A''' are f♯ f♮ b |
|- | |- | ||
| 195 | | 195 | ||
− | | oboes, clarinets: accents | + | | oboes, clarinets: accents only in '''B''' |
|- | |- | ||
| 199 | | 199 | ||
Line 389: | Line 378: | ||
|- | |- | ||
| 205 | | 205 | ||
− | | strings, except double bass: crescendo | + | | strings, except double bass: crescendo only in '''B'''; cello: ''mf'' added editorially |
|- | |- | ||
| 206 | | 206 | ||
Line 404: | Line 393: | ||
|- | |- | ||
| 210 | | 210 | ||
− | | bass clarinet: ''mf'' | + | | bass clarinet: ''mf'' only in '''B''' |
|- | |- | ||
| 211-212 | | 211-212 | ||
Line 418: | Line 407: | ||
| horn 3: no tie between both e's in '''A''' (horns 1 and 3 are notated on different staves in '''A''') | | horn 3: no tie between both e's in '''A''' (horns 1 and 3 are notated on different staves in '''A''') | ||
|} | |} | ||
− | |||
− | |||
==Errata== | ==Errata== | ||
{| class="wikitable" style="text-align:center" | {| class="wikitable" style="text-align:center" | ||
Line 439: | Line 426: | ||
| double bassoon: ''mf'' should have been added editorially | | double bassoon: ''mf'' should have been added editorially | ||
|- | |- | ||
+ | | 207 | ||
| trombone 2: ''mf'' should have been added editorially | | trombone 2: ''mf'' should have been added editorially | ||
|} | |} | ||
− | + | ||
[[Category:VLNL]][[Category:VLEN]] | [[Category:VLNL]][[Category:VLEN]] |
Latest revision as of 14:38, 29 January 2021
Sources
Name | Description | Edition/Location |
---|---|---|
A | first edition | CeBeDeM, Brussels, 1960 |
B | printed parts | Koninklijk Conservatorium Brussel (B-Bc), shelf number CBD-B-0455-0456-(03169) |
The autograph could not be found. Both A and B seem to have been copied from the autograph independently, since B contains many details lacking in A. A has been used as main source.
Critical comments
General remarks
- abbreviations have been written out
- cautionary accidentals have been added
- empty bars are left blank, as in A
- names of instruments, performance instructions have been translated from French to Italian in our edition, e.g. contrabbasso and secco instead of contrebasse and sec
- piccolo and flutes, trombones 1&2 and trombone 3, harp, cello and double bass: in A always notated on 2 separate staves, in our edition sometimes on 1 in order to save space
- spelling mistakes have been corrected tacitly, e.g. leggiero instead of leggero
- when 2 instruments on the same stave play in unison and are notated with 1 stem for each instrument, the way of notation has been altered sometimes to one stem for both instruments together and a 2 added without comment
Specific comments
Bar | Comment |
---|---|
1 | melody instruments (piccolo etc.): the quaver rest on beat 2 has only 1 dot in A, double dotted in B; horns: decrescendo not in B; horns 3&4: in A erroneously named I IV instead of III IV |
1-3 | violin 1: in both sources, the first two and a halve bars are notated an octave higher without 8va; viola: in both sources, the first two bars and a halve are notated in alto clef |
2 | horns 1&2: decrescendo not in B; viola: first accent only in B |
2-3 | gong: accents only in B |
3 | horns 1&2: decrescendo not in B; cymbals: in B crescendo from f to ff |
4 | oboe: second slur only in B |
5 | timpani: rests on beat 1 in A notated as dotted quaver rest |
7 | bass clarinet, cello, double bass: in B the word sempre is missing |
9 | brass, except horns: accents on beat 2 added |
10-12 | timpani: in A, notated an octave above with 8va bassa |
12 | horns: f only in B; trombone 1: first crescendo only in B |
12-13 | tutti, except percussion: some accents missing in A have been added |
13 | timpani: ff added; horns: additional ff in A omitted in our edition, no accents in B |
17 | violin 1: unis. added editorially |
20 | high woodwinds: some accents missing in A have been added; bassoons, double bassoons: secco added editorially; trombones, tuba: secco only in B |
22 | bassoons, brass: some staccato dots missing in A have been added; bass drum: in B with staccato dots |
23 | bassoons: a 2 not in A, justified by B |
24 | trombone 3, tuba, cello, double bass: some staccato dots missing in A have been added |
26 | cor anglais: last note in both sources is a c, which is not logical, since cor anglais and trumpets 1&3 are playing unisons in bars 25-26, likely the c is a transposition error |
27 | trombone 1: ♮ added to the note of beat 3, missing in both sources, compare to horns 2+4 |
27-28 | trombone 3, tuba: last 3 staccato dots of bar 27, first one of bar 28 only in B |
28 | bassoons: staccato dot on beat 3 added editorially; horns 3&4: beat 3 in A erroneously with staccato dot |
29 | trumpets 2&3: accents only in B |
31 | clarinets: a 2 not between brackets in A; bassoons: in both sources, first note of beat 3 still in bass clef |
31-32 | bass clarinet: in both sources, first note of beat 3 in bar 31 still in bass clef, the following 3 notes and next bar in tenor clef |
32 | bass clarinet, trombones, tuba: accent on beat 1 only in B; horns: dim. only in B |
34 | cello, double bass: last note of the bar ♭ in A, in our edition ♮ as in B and in bar 33 |
35 | horns, trumpets: staccato dots only in B |
36, 39 | flute 1: (I) added for clarity |
39 | bassoons, viola, cello, double bass: p only in B; violin 2: in A a superfluous p on beat 4 |
42 | viola: ♮ on beat 2 only in B; cello: first slur only in B |
43 | flutes, oboes, bassoons: cresc. molto in both sources on beat 2 |
43-46 | in A, the word molto from cresc. molto on beat 1 in bar 46 |
44 | clarinets: a 2 added editorially; bassoons: ♮ before note 2 between brackets in A; double bassoon: cresc. molto only in B, ♮ before note 2 added |
45 | piccolo: in A, cresc. molto starts at the end of beat 2, in our edition as in B and in violin 1 part; cello, double bass: cresc. only in B |
47 | horns 1&2: f in A on beat 2 instead of beat 1; horns3&4, trumpets, violins, viola: f on beat 1 only in B; trombones 1&2, cello: tenor clef in A 1 note later; trombone 3, tuba: last 2 semiquavers with accent in A, without in B; viola: last semiquaver with accent in A, in B all semiquavers accentuated; cello: last semiquaver with accent in A, in B the third and fourth semiquavers are accentuated; double bass: in A the third and fourth semiquavers not accentuated, in B with accent |
47-48 | placing of con fuoco e sempre più cresc. in our edition differs from A and B:
|
48 | horns 3&4, cello: first note in A without accent, with accent in B; trombones, tuba: first note without accent in both sources |
48-49 | horns: last 2 notes in bar 48 and all notes in bar 49: accents only in B; snare drum: più cresc. only in B |
49 | snare drum: first note in A erroneously with 2 accents; timpani: più cresc. only in B; viola, cello, double bass: accents only in B |
50 | timpani: first 3 notes beamed in both sources, in our edition as in bassoons, double bassoon, viola, cello and double bass |
52 | oboe 1, clarinet 1: ff only in B; violins, viola: staccato in A |
54 | triangle: slur only in B |
56 | horn 4: ♮ added |
58 | viola: arco only in B |
59 | trombones: dim. in A a little later than the first beat |
60-61 | horns 2&4: tie only in B |
62-63 | piccolo: diminuendo only in B; flutes: in A, twice a diminuendo, one in bar 62 and one in bar 63; oboe 2: diminuendo in A only in bar 62; clarinets: in A diminuendo only in bar 62, added according to B |
66-67 | horns 1&2: apart from the word dim. in bar 66, no diminuendo in bar 66 in A, and not under the first and last note of bar 67, diminuendo in our edition as in B; horns 3&4: apart from the word dim. in bar 66, no diminuendo in A, diminuendo in our edition as in B |
67 | horns 1&2: in A a superfluous tenuto mark above the first note |
67-68 | horns: no slur over the bar line in A, in B unclear |
68 | horns: pp only in B |
69 | violin 2: ♮ added before d |
71 | horns 1&3: second note in A erroneously prolonged by a dot |
72 | horns: diminuendo only in B |
76 | cello, double bass: arco only in B |
78 | flutes, oboes, cor anglais: mp only in B |
79 | trombone 3: tenuto only in B |
80, 83 | trombone 1, viola: ♮ only in B |
81 | oboes, trumpets: in A a superfluous marcato here (already written in bar 80) |
82-85 | all tenuto marks only in B |
86 | tempo indication in A is un poco piu e senza rigore nel t°, vivo added according to B and bar 91 |
89ff | viola, cello: each of the divisi parts has separate stems in A |
95 | strings: in A: tutti: mp [crescendo] fp, in B and in our edition added to all string parts |
99 | piccolo: ♭ added before second a |
104 | piccolo: ♭ before first note only in B |
105 | cello: unis. only in B |
106 | flutes: a 2 not in A, but justified by B |
107 | tempo indication in A: tempo 1°; cello, double bass: f added editorially |
107-108 | bass drum: staccato dots only in B |
107-111 | all accompanying parts: in both sources without staccato dots on quavers, but see bars 20-24 |
110-111 | bass drum: staccato dots only in B |
111 | trombones 1&2: ff only in B; bass drum: crescendo and ff only in B |
116 | flutes, oboes: slur added only in B; bassoons: ♯ and ♭ before first chord only in B; horn 4: ♭ before first note only in B |
117 | bassoons: in A superfluous ♭ before both d's on beat 3, omitted |
117-118 | trombones 1+2: in A erroneously alto clef instead of tenor clef; timpani: in B erroneously d♮ |
118 | timpani: ♭ added editorially |
119 | trombone 3, tuba: accent only in B |
121 | bass line: in A, a few accents and staccato dots are missing, added according to B; trumpets: f only in B |
122 | bass clarinet: f added editorially; violin 2: in A div. in 2 |
123 | bassoons: a 2 not in A, but justified by B; trumpet 3: in A superfluous ♮ before first note, omitted; snare drum: staccato dot on first note added editorially |
125 | violin 2: unis. only in B |
131ff | strings: the crotchets of the fugato theme without staccato, unlike the winds |
132 | violin 2: second accent only in B |
133 | violin 2: first accent only in B |
134 | violin 2: accents on beat 4 added editorially |
136 | violin 1: first note erroneously with staccato dot in both sources, omitted |
138 | violin 2, viola: last ♯ only in B |
139 | oboes, cor anglais: beat 4 erroneously with staccato dots in A, without in B |
142 | cymbals: mp only in B |
143 | clarinets: first accent added editorially |
145 | bass clarinet, bassoons, double bassoons: beat 4 in A, d♯ (bass clarinet: e♯), in B likewise, but corrected in pencil to f♯ (g♯); violin 2, viola, cello: ♭ before eighth semiquaver only in B |
147 | flutes, violin 1: in A, tenth semiquaver without ♮, in B likewise, but ♮ added in pencil; horns: first accent added editorially |
150 | flutes: accent on last note only in B |
154-155 | double bassoon: plays the same as bassoons in B |
159 | violins, viola: the quaver rest has only 1 dot in A, double dotted in B, see also bar 179; cello: (non div.) added editorially |
160 | trombone 1: p dolce only in B |
162 | horns 1&3: p only in B |
165 | trombone 1: first ♮ added editorially |
170 | horns: in A, crescendo starts only at second half of beat 2, probably due to lacking space, in B erroneously without crescendo |
171 | violins, viola: mp only in B |
173 | clarinet 1, horn 1: dolce only in B |
176 | cello: unis. only in B; viola: staccato dot only in B |
177 | violins 1: diminuendo start on beat 3 in B |
183 | cello, double bass: arco only in B |
183-184 | strings: without tenuto marks in both sources, unlike woodwinds |
184 | horn 4: thus in all sources, the note is probably shortened in order to allow the player to prepare the next bar |
192 | bassoons, double bassoon: in A, the first note is a semiquaver, in B a demisemiquaver; double bassoon: slur only in B; cello, double bass: mp only in B |
193 | bass clarinet: staccato dot only in B |
194 | trumpet 1: in A, notated on a separate stave without f, in B with f; violin 1: second note is a semiquaver in A, in B a demisemiquaver; viola: last 3 demisemiquavers in A are f♯ f♮ b |
195 | oboes, clarinets: accents only in B |
199 | trumpets 1&2: a 2 added, justified by B |
201 | cello: f added editorially |
205 | strings, except double bass: crescendo only in B; cello: mf added editorially |
206 | viola: mf added editorially |
207 | horns: mf added editorially |
208 | trumpet 3: first note in A is a quaver, rhythm adjusted and rest added according to B |
209 | viola: g clef in A before the last note of the bar |
210 | bass clarinet: mf only in B |
211-212 | oboes, clarinets: accents added editorially |
221 | clarinet 1: articulation in both sources different from viola in bar 228 |
228 | viola: the quaver rest has only 1 dot in A, double dotted in B, articulation in both sources different from clarinet in bar 221 |
230 | horn 3: no tie between both e's in A (horns 1 and 3 are notated on different staves in A) |
Errata
Bar | Erratum |
---|---|
20-22 | bass drum: staccato dots should be added according to B |
39 | cello, double bass: a staccato dot should be added to the first note of the bar |
109 | bass drum: staccato dots should be added according to B |
205 | double bassoon: mf should have been added editorially |
207 | trombone 2: mf should have been added editorially |